Warlords of Atlantis

Victor Frankenstein witnesses his creation turn uncontrollable after he's duped by his associate, Dr. Polidori.

At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.

When Dr. Frankenstein is killed by a monster he created, his daughter and his lab assistant continue his experiments.

Dracula conspires with a mad doctor to resurrect the Frankenstein Monster.

During WWII, Germans obtain the immortal heart of Frankenstein's monster and transport it to Japan to prevent it being seized by the Allies. Kept in a Hiroshima laboratory, it is seeming lost when the United States destroys the city with the atomic bomb. Years later a wild boy is discovered wandering the streets of the city alone, born of the immortal heart.

Eddie is a Vietnam veteran who loses his arms and legs when he steps on a land mine, but a brilliant surgeon is able to attach new limbs. Unfortunately, an insanely jealous assistant (who has fallen in love with Eddie's fiancée) switches Eddie's DNA injections, transforming him into a gigantic killer.

A hot air balloon crew and a dog find themselves on an island with scantily-clad part-alien women, zombies, and other monsters.

It’s the year 2762. The galaxy is plagued with warring factions using hokey special effects to destroy each other. Out of this chaos a hero rises: the dashing, exquisitely bearded Captain Saber Raine (Casper Van Dien). Saber and his elite squad of commandos (other actors) embark on a dangerous quest to save the Prince and Princess of an unnamed planet from the clutches of the Evil Overlord Sinjin - an overlord so evil HIS VERY SKULL IS FILLED WITH CHERRY JELL-O. Can our heroes fend off Sinjin’s army of mutant androids and rescue the Prince and Princess? Probably! After all it’s Space Opera, but you never know! Join Mike, Kevin and Bill for an unforgettable Sword-And-Laser Swashbuckling-ly fun time, beamed to theaters nationwide!

When an atomic war on Mars destroys the planet's women, it's up to Martian Princess Marcuzan and her right-hand man Dr. Nadir to travel to earth and kidnap women for new breeding stock. Landing in Puerto Rico, they shoot down a NASA space capsule manned by an android. With his electronic brain damaged, the android terrorizes the island while the Martians raid beaches and pool parties

Victor Frankenstein's search for the secret of life leads to the creation of a monster that consumes his life and family.

Matter-transmitter sabotage leaves a British scientist (Bryant Halliday) disfigured and full of amps.

Two Foreign Legion soldiers, Jean (Dennis O'Keefe) and Andre (Jean Pierre Aumont), accidentally discover the famed lost continent of Atlantis. Bewitched by the sultry, beauty of the Queen of Atlantis (Maria Montez) the two men vie for her affections; little realising that her previous lovers have been embalmed into statues that line the passages of her kingdom.

A helicopter crashes in the desert, and the crew winds up in the underground city of Atlantis and get mixed up in a slave revolt.

Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.