Zorro, Rider of Vengeance

A mix of swashbuckling and Spaghetti western: a light hearted adventure of Zorro in which the hero has to support good noblemen, sustained by the peones, against an ambitious landlord and a bad alcalde.

In the first half of the 1600's, France is at war with Spain. The cousin of the king of Spain, Isabella, is held captive in the French castle, and the Count of Seville is sent to France as a diplomat. While there, he is escorted by the Three Musketeers, who discover that he has secretly made a deal with Cardinal Richelieu to disclose Spanish military secrets in exchange for Isabella's release. However, he is merely bluffing and plans to take Isabella by force. When the musketeers discover this, they come to his aid, and together the four of them work at freeing the Countess. Meanwhile, the Count doubles as Zorro to free the Spanish court from a treacherous suitor.

A man returning home after having fought in the Civil War discovers that corrupt politicians have taken over the county and are terrorizing and shaking down the citizens. He dons the costume of his ancestor, the famous Zorro, and sets out to bring them to justice.

In 17th century Spain, the evil, corrupt Don Luis intends to marry his ward, Carmencita, to his stepson, Don Diego. A peasant revolt, fuelled by a plague, complicates matters, as does the arrival of a Masked Avenger.

Italian-Spanish Zorro variation.

The king of Nogara dies, leaving behind a will naming one of his nieces as his successor. Will it be blonde and virtuous Isabella or evil, dark-haired Malva? Each woman relies on a hero to locate the will. Malva hires the bare-chested strongman Samson while Isabella relies on the masked El Toro (a.k.a. Zorro) even though her heart belongs to the mild-mannered poet, Ramon. Malva's ruthless desire for the throne soon alienates Samson and he and El Toro then team up to bring about a proper resolution to the Nogara succession. Meanwhile, Isabella learns El Toto's true identity, an identity which both surprises and pleases her.

The masked avenger of 1830s California leads his two swashbuckling children into battle against a tyrannical governor.

Colonel Cordero implements new taxes among the population in Monterrey without the governor's knowledge. Antonio Sandoval, who has returned from his studies to his hometown, becomes aware of the hustle and bustle of the colonel and makes life difficult as a masked Zorro for the tyrannical alcalde at every opportunity and time of day.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the first of three parts, we follow Luper through three distinct episodes: as a child during the First World War; as an explorer in Mormon Utah; and as a writer in Belgium during the rise of fascism.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the second of three parts, we follow Luper as he works in a cinema, giving him ample opportunity to cross paths with virtually every artistic device and dramatic character known to man.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the final installment, Luper continues his adventures as a professional prisoner during the later years of the Second World War and the Cold War.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. A Life in Suitcases condenses the six-hour trilogy into a single two-hour feature, and in doing so, accentuates the project as a filmic essay in multiple narratives, listings, sidebars, footnotes, commentaries and anecdotes; a project for an Information Age ready to understand that there never is a phenomenon called History, there can only be Historians, gatekeepers to vested interests.

When a Harvard-educated CIA agent is killed during an operation, the secret agency recruits his twin brother.

Dr. Frankenstein's Granddaughter Maria, and her brother assistant Rudolph, moved to the old west because the lightning storms there are more frequent and intense, which allows them to work on the experiments of their grandfather. But the experiments are failing and Rudolph's been secretly killing the corpses afterwards. Meanwhile, the Lopez family leaves the town because of the evil going on there