In that old time

Conrad Brooks discusses "Hellborn," his unfinished movie with Ed Wood, and other projects

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.

Boys on Film presents ten encounters from across the globe, where the dangerous allure of a risky attraction yields emotional results — proving that the age-old adage of taking the plunge is as relevant — and sexy — as ever before. The 10 short films are: My Uncle's Friend [O Amigo do Meu Tio] (2021); Budapest, Closed City [Budapest, zárt város] (2021); Eden (2020); Chaperone (2022); Break Me [Knus meg] (2018); By His Will [שעשני כרצונו] (2021); Red Ants Bite (2019); Jim (2022); Hornbeam (2022); Too Rough (2022).

A release that features 7 shorts from Italy, Israel, Tunisia, New Zealand, the United States and France, exploring those furtive first steps that men take as they decide to act on their sexuality. The 7 short films are: The First Time [La prima volta] (2012); Kiss Me (2022); Nidhal [نضال] (2022); Sparrow (2016); I Am Mackenzie (2019); The Place Between Us [Il posto fra di noi] (2010); By the End of the Night [Que la nuit s'achève] (2018).

Film composed of nine short films. Short Stories 0, was released in 1993 and did not yet have that name because they were separate shorts. It would later become the prestigious annual short film competition for directors organized and produced by INCAA.

These men are undergoing a crucial stage of self-discovery, but for better or worse - they will not go through it alone. A selection of 6 shorts about the complexities of gay and male sexuality. Includes: Along the Road [Längs vägen] (2011); Drives [Pulsiones] (2009); Frozen Princess [Princesa de hielo] (2017); Naked [Desnudos] (2013); Swimming Pool [Piscina] (2017); Visibles (2018).

Football seen through the eyes of some of the best directors of the world.

Boys On Film comes of age with uplifting and powerful tales recounting the lives of everyday heroes striving for their own identities and fighting for the right for us all to be ourselves. Volume 18: Heroes includes ten complete films: Dean Loxton's "Dániel" starring Csémy Balázs, Hilda Péter, and Henry Garrett… Niels Bourgonje's "Buddy" starring Daniel Cornelissen and Tobias Nierop… Tamara Shogaolu's animated "Half A Life"… Victor Lindgren's "Undress Me" starring Jana Bringlöv Ekspong and Björn Elgerd… Sam Ashby's "The Colour Of His Hair" starring Sean Hart and Josh O'Connor… Hope Dickson Leach's "Silly Girl" starring Ciara Baxendale, Mollie Lambert, and Jason Barker… Søren Green's "An Evening" starring Jacob Ottensten and Ulrik Windfeldt-Schmidt… Alejandro Medina's documentary "AIDS: Doctors And Nurses Tell Their Stories"… Kai Stänicke's "It's Consuming Me" with Volkmar Leif Gilbert… and Mikael Bundsen's "Mother Knows Best" starring Alexander Gustavsson and Hanna Ullerstam.

This compilation of five early short films by Martin Scorsese offers a fascinating window onto his artistic development. Spanning the years from Scorsese’s time at NYU in the mid-1960s to the late ’70s, when he was emerging as one of the era’s most electrifying talents, Scorsese Shorts centers on the intimate home movie Italianamerican—a loving snapshot of the director’s parents—and American Boy, a freewheeling portrait of the larger-than-life raconteur Steven Prince. Also included are The Big Shave, a daringly visceral response to America’s involvement in Vietnam, and the bracing student films What’s a Nice Girl Like You Doing in a Place Like This? and It’s Not Just You, Murray! Touching on many of Scorsese’s key themes—Italian American identity, family, his beloved New York City—these are hilarious, candid, and illuminating works from the pre­eminent American filmmaker of our time.

A discussion of the very important and highly controversial film, GUESS WHO'S COMING TO DINNER, featuring interviews with people like Katharine Houghton, Martin Baum, Louis Gossett, Jr., Norman Jewison, Garry Marshall, Karen Sharpe and Salome Thomas-El.

Who’s up for a sensual, seductive trip with some of the hottest Latin men that have ever graced the Silver Screen? ‘Mexican Men’ collects five of the most accomplished gay shorts from one of the homes of groundbreaking queer cinema. From short encounters, emerging love stories and deeply touching connections, these short films are sure to stir the heart... and body. Includes: Atmosphere [Atmósfera] (2010); To Live [Vivir] (2003); Tremulous [Trémulo] (2015); Wandering Clouds [Nubes flotantes] (2014); Young Man on the Bar Masturbating with Rage and Nerve [Muchacho en la barra se masturba con rabia y osadía] (2015).

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

Four Spanish-language shorts about the importance and complexity of people's perception from award winning directors. Stories of identity, misconceptions, regrets, dreams and love are told in this diverse collection. Includes: Tenants [Inquilinos] (2018); My Brother [Mi hermano] (2015); Guillermo on the Roof [Guillermo en el tejado] (2018); You Are Not a Woman [Usted no es mujer] (2018).

A touring program of recent short films, commissioned by Film Hub Wales and delivered by the Independent Cinema Office, that showcases how contemporary working-class filmmakers depict working-class experiences in modern Britain. The program features films spanning various genres, from documentaries to flights of fancy, and aims to offer a richer, more complex, and creative perspective on working-class life beyond outdated stereotypes.