George Dandin

Side by side in a leafy suburb, Thom lives in one flat, Alethea in another. It's pretty clear that their respective, unsatisfying lives would improve enormously if they just met each other. But with a wall literally between them, this seems highly improbable. Then there's the building's Power Box, having an existential crisis about the eventual collapse of the universe, and the super nova from five thousand years ago. Then there's time travelling on an equation for the speed of light and too much sugar. There's demon magpie attacks, laptops in love, cats dancing to Prince and sock puppet nightmares. And a tiny prayer by the Wall, hoping that all of these pieces can come together for one magical moment of love.

A television recording of a theatrical production of Alfred Jarry's absurd drama about the gluttonous, gluttonous, compulsive and unscrupulous Father Ubo, who, with the generous advice of his ambitious wife, gets rid of the Polish king and seizes his throne. He establishes a reign of terror in which he only cares about his own benefit, so it is not surprising that the people rebel against him. The recording was made at the end of July 1968 and, thanks to a copy saved from destruction during the normalization period, was first published in 1990.

As a group of university students go out for a night on the town, a sophomore known only as "The Girl with Black Hair" experiences a series of surreal encounters with the local nightlife – all the while unaware of the romantic longings of "Senpai", a senior student who has been creating increasingly fantastic and contrived reasons to run into her in an effort to win her heart.

Rock opera on the rise and fall of Estonian prog rock band "Ruja"

Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.

In 1972, Czechoslovak Television recorded a performance by the Vinohrady Theatre, which was very well received. Moliere's comedy The Miser was staged on a turntable, but in period costumes and scenery, without any hint of updating, in a traditional translation. However, it was modern and contemporary mainly thanks to the stage direction of Jaroslav Dudek and the excellent acting performances of the main actors, led by Miloš Kopecký in the role of Harpagon. His civil speech, which was not devoid of majesty, anger, imperiousness, dislike and lack of feeling towards those closest to him, was supported by the equally precise performance of Jaromír Hanzlík and Daniela Kolářová in the roles of his children, Jiřina Bohdalová as the matchmaker, and the other actors. The comedy in their performance is timeless and will delight lovers of classical theatre even today.