Dark Side of the Moon

The dawn of the 21st Century has found much of modern society obsessed with occult mysteries, sadistic violence, and evil. Everything from cartoons and video games to recorded music and major theatrical films are being designed and promote to "satisfy" the public's insatiable lust for the macabre. Most disturbing is the rise in the practice of Satanism. Law enforcement agencies are unable to keep up with the increasing numbers of heinous, Satanically inspired crimes. Basically a remake of Devil Worship: The Rise of Satanism (1989) using the same footage.

Documentary discussing evidence supporting the common conspiracy theory that aliens made contact with ancient humans and are responsible for all world religions as a method of control over humanity

"No film may throw ridicule on any religious faith..." So began Article VIII of the Hollywood Production Code, a series of ethical guidelines that for forty years helped the motion picture industry produce many of the greatest and most family-friendly films in history. That was then, however, this is now. A revered "historical" movie quietly takes every opporturnity to lie and twist the facts in order to make Christians appear as backward, foolish hypocrites. An actress jumps at the chance to play a Christ-hating role, saying, "I'm an atheist, so it was a joy." One of Hollywood's most respected directors films a passion play written by a disciple of Friedrich Nietzsche, the father of the "God is dead" movement. Not surprisingly, the movie's Jesus helps crucify people and later confesses that satan is inside him. A media mogul states that "Christianity is a religion for losers."

In Israel, a joint French-Israeli scientific mission is set to unearth the secrets of the hill of Kiryath-Jearim (or Kiryat Ya’arim), converted to the site of a Catholic convent, where, according to the Bible, the Ark of the Covenant was kept for at least twenty years before being brought to Jerusalem by King David, father of King Solomon, who would eventually build the Holy of Holies inside the First Temple to house it.

Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.

Archival film maestro Göran Hugo Olsson has assembled—from a vast catalogue of footage in the vaults of Sweden’s national television service SVT—accounts of the Israeli-Palestinian conflict as witnessed and represented by Swedish journalists. Stories of the beginning of the Israeli state interwoven with the Palestinian struggle for independence. News coverage with Yasser Arafat and interviews with Israeli foreign minister Abba Eban during a visit to Sweden unseen since first broadcast. From the tenth anniversary of Israel’s founding to the First Intifada, perspectives and encounters with statesmen, civilians, revolutionaries, and intellectuals tell the story from myriad angles of an evolving media landscape, revivifying a history of the ongoing conflict.

What is the connection between the bloody gang war that once raged over control of the Chicago fish market, the decades of terror perpetrated by the Chinese, Russian, and Italian mafias, the secret operations of the CIA and the KGB, the Cuban revolution, and the Kennedy assassination? And who is the 100-year-old monk who is revered as a saint in a Nepalese monastery and in whose body the presence of a strange crystal can be detected? Szilveszter Siklósi's thrilling "documentary" provides striking and convincing answers to questions that have preoccupied the world's public for nearly a generation.

From 1957 —the year in which the Soviets put the Sputnik 1 satellite into orbit— to 1969 —when American astronaut Neil Armstrong walked on the surface of the moon—, the beginnings of the space conquest were depicted in popular culture: cinema, television, comics and literature of the time contain numerous references to an imagined future.

In 2001, Jimmy Wales published the first article on Wikipedia, a collaborative effort that began with a promise: to democratize the spreading of knowledge, monopolized by the elites for centuries. But is Wikipedia really a utopia come true?

This special 10th anniversary edition of the Found Footage Festival finds curators Joe Pickett and Nick Prueher in a nostalgic mood, delving deeper--perhaps too deep--into some of their favorite VHS finds from over years. But Volume 7 is also jam packed with newly unearthed treasures, featuring singing rabbis, petulant news anchors, coughing snake handlers, bodybuilding clowns, and two body parts never before seen in the festival! It's a celebration of a decade of Found. Record over and you'll die! Taped live at The Grey Eagle in Asheville, North Carolina.

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

In this spoof of "March of the Penguins," nature footage of penguins near the South Pole gets a soundtrack of human voices. Carl and Jimmy, best friends, walk 70 miles to the mating grounds where the female penguins wait. The huddled masses of females - especially Melissa and Vicki - talk about males, mating, and what might happen this year. Carl, Jimmy, and the other males make the long trek talking about food, fornication and flatulence. Until this year, Carl's sex life has been dismal, but he falls hard for Melissa. She seems to like him. A crisis develops when Jimmy comes upon something soft in the dark. Can friends forgive? Does parenthood await Carl and Melissa?

The untold story of a Jewish baby who was born in the death camp before the liberation and survived. An extraordinary journey of the second and third generation, breaking the cycle of trauma to free themselves from Auschwitz - forever.

An atypical portrait of singer, songwriter, poet Georges Brassens.