Dinosaur Movies

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

The Movie Movie shows how the camera, editing techniques, make-up and sound can be used in film and video to deliberately manipulate our perceptions and emotions. Drama, action and slapstick humour are combined in a simple, family-oriented plot. There is no dialogue, but there is an explanatory song. Behind-the-scenes vignettes highlight the message that in a movie everything is not quite as it seems.

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Conrad Brooks discusses "Hellborn," his unfinished movie with Ed Wood, and other projects

For over 170 years, Crystal Palace Park has been home to monsters. When sculptor Benjamin Waterhouse Hawkins unveiled the Crystal Palace Dinosaurs to the public in 1854, they were the first ever life-sized depictions of extinct animals. Whilst hugely inaccurate according to our modern understanding, they now represent an important milestone in the history of science. They're also one of South London's most beloved and charming attractions. Over the years, the sculptures have fallen into disrepair thanks to a lack of funding, perennial vandalism and the forces of nature. But a passionate group of local residents have banded together to keep the statues standing. With the help of a world-famous rockstar, can they stop our dinosaurs from going extinct?

A detailed history of documentary filmmaking in the US and the UK from 1929 to 1945. The first part, Working for Change, focuses on 1929-1941 and the social movements of the times, The Great Depression, The New Deal, and the awakening of the Leftwing in the UK. The second part, The Strategy of Truth, focuses on 1933-1946 and explores the role of film as propaganda during World War II, and the different forms it took in the US, the UK, and Germany.

Tarbosaurus: The Mightiest Ever is a South Korean adventure drama film directed by Han Sang-Ho. A spiritual prequel to The Dino King, sharing various themes with the movie and also being directed by Han Sang-Ho, this film follows the life of a Tarbosaurus family made up of Patch, (the father of Speckles from The Dino King), his two siblings and their mother in prehistoric South Korea.

Jean Rochefort, Jean-Pierre Marielle, Philippe Noiret - This is the story of a bunch of friends. Comedian buddies. Actors who dreamed of the Conservatory and the National Theater of Paris. The theater was their ideal, cinema will be their paradise. Their friend Jean-Paul Belmondo, the relaxed Parisian, who failed the entrance exam, will make sparks fly. Rochefort, Marielle and Noiret, the three provincials, will climb the steps of recognition one by one. From the little cabarets on the Left Bank to the TV shows of the Buttes-Chaumont pioneers. From the second roles to the first and from the B movies to the classics.

The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.

This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.