I'm a Porn Star

BTS Now was a series of travel photobooks and DVDs released by BTS. It features the members partaking of photoshoots around various locations in different countries for the annual photobook and a DVD with the behind the scenes of the photoshoots.

BTS Now was a series of travel photobooks and DVDs released by BTS. It features the members partaking of photoshoots around various locations in different countries for the annual photobook and a DVD with the behind the scenes of the photoshoots.

BTS Now was a series of travel photobooks and DVDs released by BTS. It features the members partaking of photoshoots around various locations in different countries for the annual photobook and a DVD with the behind the scenes of the photoshoots.

A cold-blooded estate agent leads a desperate young couple through a dilapidated property, fully aware they'll do anything to secure it. But the real question is: just how far are they willing to go to secure this place to call home? House Hunters is a darkly comedic & snappy 10 minute short, that imagines the absurd extremes of a housing market way past crisis point.

The retirement movie for adult film actress Ai Uehara, directed by Katsuyuki Hirano. A big fan of Ai Uehara have to go on a 100-kilometer marathon to have sex with her.

Yuma, a trading company employee, is busy with work and has been drifting apart from his fiancee Yoko. His childhood friend and junior colleague Atsushi, who regards Yuma as an older brother, is gay. But Yuma doesn't know this. One day, Atsushi invites Yuma to a summer festival. Drunk, Yuma stays at Atsushi's apartment. Atsushi's gaze falls on the lower half of Yuma's body, as he sleeps defenselessly in his yukata robes. He instinctively reaches out to touch it. At that moment, Yuma senses something is wrong and wakes up. Upset to find out that Atsushi is gay, Yuma goes home. The next day, as Atsushi is apologizing to Yuma for the night before, thunder rumbles! Before he knows it, their bodies have been swapped. Atsushi, in Yuma's form, checks out the lower half of his brother, whom he admires, and is entranced on the spot. Yuma, in Atsushi's body, goes pale. The two are forced to live like this for a while...

From casting to production of "Three", following the strategies used to compose the characters, chemistry between actors and coordination of intimacy; aiming to highlight the importance of a more humanized and sensitive work.

This brief documentary skillfully walks the line between making fun of and empathizing with 3 Las Vegas performers who impersonate, respectively, Elvis, Marilyn Monroe and Judy Garland as part of a kitschy show called 'Legends in Concert".

A vogue dancer performs at a Voodoo Carnival Ball, an important dance contest where he will have to prove himself to be accepted by the local ballroom community. Based upon the biographical story of Elvin Elejandro Martinez.

By the end of the seventies, disco music, considered too mainstream, was dead. But DJs and dance floors still needed new records and faster rhythms. Built on synthesizer sounds, the hi-nrg (high energy) style swept the gay clubs before hitting the charts during the eighties.

Since 1989, before many of you were born, John Clarke and Bryan Dawe have broadcast a weekly interview in which prominent figures speak about issues of the day. After 20 years this idea is getting into its stride nicely. In the interviews, John makes no attempt to look or sound like the person he is pretending to be, but deals with matters as he sees fit. Bryan persists with dignity and strives for understanding.

A mockumentary about an absolute moron attempting to make an independent film.

The James Brown Story

Partly a parody, partly a mockumentary, partly an essay film - and also an actual behind the scenes documentary of two short films.

An exploration of the space where femininity and criminality collide. The film collages archival footage clips culled from silent films, original footage and computer-generated imagery with a series of narratives drawn from true crime confessions, early criminological texts, and the filmmaker's own reflections. The result is a cool and piercing meditation on the way the categories of "woman" and "criminal" have been constructed.