De Vliegende Panters: Ebbinge, Vrijdag en De Bekker

The Dutch cabaret artists Harrie Jekkers and Jeroen van Merwijk have performed solo for years. The two old friends have made a program together and perform with songs, stories and dialogues.

Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.

In this comedy show the Dutch comedian Katinka Polderman explains (in songs and stories) how her motherhood influenced her view of the relationship between humans and animals.

Allison's life falls apart following her involvement in a fatal accident. The unlikely relationship she forms with her would-be father-in-law helps her live a life worth living.

Because Urbanus does all kinds of pranks, he has to go to an improvement institution. There, Dr. Schrikmerg uses him as a guinea pig for his new invention: he makes a sort of robot from Urbanus.

Registration of the first theatre show by the Dutch comedian Sanne Wallis de Vries.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Registration of the sixt theatre program by the Dutch comedian Theo Maassen.

Registration of the theatreprogram by the Dutch comedian Lenette van Dongen. A show about getting older. She is unabashedly honest about her lessons in aging and the wisdom that comes with it.

Some people say love is sex, sex is love. While others say sex is a four letter word. Sylvia is a love columnist who is writing a book on love stories. On a warm summer night she has invited six friends to tell true stories of their intimate love and sexual experiences. During the course of the evening the boundaries between love, sex and friendship narrow. People are exposed, fears are shared, friendships tested and relationships are destroyed and new ones formed. SEX IS A FOUR LETTER WORD is a contemporary film about love in the 1990s.

In 1998, Beavis and Butt-Head are sentenced to Space Camp by a “creative” judge. Their obsession with a docking simulator (huh huh) leads to a trip on the Space Shuttle, with predictably disastrous results. After going through a black hole, they re-emerge in our time, where they look for love, misuse iPhones, and are hunted by the Deep State. Spoiler: They don’t score.

Stage registration of the second comedy special by the Dutch comedian Micha Wertheim. This performance takes place in a dream, a dream in which Micha Wertheim shares all kinds of confessions, for example about how he manages to cope with the knowledge that he is probably not a real genius.

Na de dvd's 'Kaboom!' en de snoeiharde bevestiging met 'Morimos Solamente' is Alex Agnew toe aan zijn derde stand-up-comedy-theaterregistratie DVD: 'More Human Than Human'.Agnew is uniek. Grover, gewaagder en vooral grappiger dan ooit. Geen enkel onderwerp is veilig. Lichtgeraakte mensen wezen gewaarschuwd: Alex Agnew balanceert altijd op het randje. Wie de Alex Agnew verwacht die geluidjes maakt, zal verrast zijn. Agnew speelt meer in op het publiek, brengt vaak meer doordachte humor en beperkt de human jukebox tot het minimum.Alex Agnew heeft één van de belangrijkste eigenschappen van een goede stand-up: charisma. Die sympathieke uitstraling in combinatie met zijn geniaal materiaal drijft het publiek keer op keer en in een razend snel tempo naar opeenvolgende lachsalvo's die pas stoppen als hij met een buiging het podium verlaat, wat gepaard gaat met een daverend applaus.