Skopje Remixed

Following "Paris, Je t'aime" "New York,I Love You" and "Rio, Eu Te Amo" “Tbilisi, I Love You” has become the next film in the “Cities of Love” franchise.

In this Korean omnibus film, three stories and relationships between the North and South are explored - stories about a hopeless romance, an unknown future and an expected and coincidental comfort.

The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.

A family who are uncomfortable together, but worry about each other goes on a sudden camping trip. A group of youths who have no idea about their future and live crumpled lives go on a trip. A single person who thinks it's alright to be alone goes on a trip as well.

In order to celebrate the 20th anniversary of the Korean Film Academy, 20 of the academy's former students (who are respected director's today) were invited to shoot an omnibus movie consisting of 20 short films. Overall this work was very well received by the critiques at the 17th Tokyo International Film Festival. Films include Under a Big Tree, Sutda, Twenty Millimeter Thick, Innocence, *?!#@$ Up Shoes, Twenty Questions, The Twenty's Law, To the 21st, Pass Me and Alone Together.

In order to celebrate the 20th anniversary of the Korean Film Academy, 20 of the academy's former students (who are respected director's today) were invited to shoot an omnibus movie consisting of 20 short films. Overall this work was very well received by the critiques at the 17th Tokyo International Film Festival. The films include Twenty, Secrets and Lies, Looking for Sex, Race, A Runners High, Neighborhood, My Baby, It's different On Mobile Queen, At 2 O'clock and Sink & Rise.

Fantastic Parasuicides is an omnibus film consisting of three short films that come together under the common theme of suicide. The three stories are Hanging Tough, Fly Away Chicken and Happy Birthday by indie directors Chang-ho Cho, Sung-ho Kim and Soo-young Park.

Four separate-but-interconnected stories - one for each season - about life in Sardinia.

These intertwining stories about romance and separation follow a firefighter who can't find the right time to propose, a shy theme park worker who falls for an artist, an estranged mother and son, and a man seeking to regain his lost love.

New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.

Ji-eun finds breaking up very hard. Min-jeong just wants a happy day. Soo-jin is struggling for a normal life. Hye-ri and Min-yeong are in a complicated situation…

Dilemma is an omnibus film, five stories that depict dark side of Jakarta's underbelly. Jakarta's underground world that seldom to talk about, and forgotten by most of the people.

An anthology of several segments about everyday Italian life.

Four different couples have a romantic week over New Year's Eve. Both coming out of failed marriages, Ji-ho and Hyo-young are not open to the possibility of new love, while Jin-ah heads to the other side of globe and encounters Jae-hun.

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.