Whom God Forgives

Andalusia, Spain, 19th century. The roads are infested with bandits who sow panic among travelers. Although most of them are ruthless killers, Lucero is a true champion of the disinherited.

Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.

The film is about Eloy, a Chilean bandit and companion of Joaquín Murieta, who is wanted by the justice system on the border with Argentina. Although an escape seems impossible, in desperation he flees without a fixed destination.

Toro (Spanish for "Bull") is a young con man and the right hand of Romano, a powerful mob boss in Torremolinos, Málaga (Andalusia, south to Spain). After Toro decides to leave Romano to get a life free of crime, his last sting fails, resulting one of his brothers dead and he sent to jail. Five years later, Romano realizes that López, Toro's older brother, is robbing him money from his tourism business and he orders to kidnap Diana, López's little daughter, until this one get back the money. Without options, López visits Toro, now a touristic driver with the third grade prison close to get the parole, who only wants to be free to marry his girlfriend Estrella. When Toro accepts to help López and both meet Romano looking for a solution, Toro ends attacking Romano's men and fleeing with Diana, trying to escape from Romano's revenge. But Romano starts a ruthless searching for they three, meanwhile Toro counts the hours to back the prison according to the third grade...

"Pasos largos" (long steps) is an alias for the last Andalusian bandit, after engaging in poaching for a living, he begins to commit small crimes in the mountainous area of Ronda (Malaga, Spain), but everything gets even more complicated.

Paula, a thirteen year old girl, starts to experience certain complications in the relationships with her family and friends. In order to be with her ill grandmother, which she barely knows, she spends the summer in Ojos Negros. There she will meet Alicia, a girl her age, who also stays in town for the summer. Together they will venture into the adult world through a stifling summer that never ends.

A story based on true events. When Antonio receives a diagnosis that threatens to tear his family apart, his daughter and granddaughter return to Málaga to be with him. There, Lucía, determined to save her grandfather, clings to her faith and makes a promise to the Cautivo: to play music in his footsteps in exchange for her life. Through music, sacrifice, and hope, the granddaughter embarks on a journey that will transform not only her own life, but also that of her entire family.

Steve, a happily married American man living in London meets Vicki, an English divorcée and run off to Marbella for a rollicking week of sex. They then return to London to set up a cozy menage, despite the fact that he loves his wife and children, and now realize that he and Vicki have also fallen in love.

Two Finnish PI:s are hunted by a gang specialized to counterfeit banknotes from Malaga to Finland and Mallorca and back. The counterfeit money printing plates are desperately searched by the gang and our heroes try to hide from them by travelling to Mallorca, where some of the local hoods try to kill them and retake the missing plates.

In Jerez de la Frontera, Spain, tradition, memory and folklore, walk the streets on the shoulders of a people who proudly displays a legacy rooted in their culture for centuries.

Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.

Commissioned by Harald Inhülsen for MasterclassFilm. A companion piece to Leandro Varela's Self Portrait, also part of the same commission.