Universal Techno

A documentary that explores the challenges that a life in music can bring.

Japanese cyber youth cultures have developed through the imaginative and novel use of technology. Underlying social, cultural and economic trends are examined such as Japan's unique, isolated island culture, the post-economic boom recession and changing attitudes towards the role of the corporation in work and career attitudes.

It is a short video produced by Matthias Fritsch in 2000 at the Fuckparade in Berlin.

Featuring the pioneers of techno music Juan Atkins, Derrick May, Carl Craig, and Jeff Mills, Never Stop takes us into the fascinating universe of techno labels in Detroit. This film highlights the deep roots of the creation, more than thirty years ago, by each of the African-American pioneers of techno music, of their own record labels.

A man tours clubs around the globe with his manager and girlfriend. On the eve of their largest album release he is admitted to a psychiatric clinic after overdosing at a gig.

The film follows the inception of the movement, a meeting between ravers and the new age travellers during Thatcher's last days in power, and the explosive years that followed, leading up the infamous Castlemorton free festival in 1992 - the largest ever illegal rave, which provoked the drastic change of the laws of trespass with the notorious introduction of the Criminal Justice Act in 1994.

In an apartment, a party is in full swing. Sitting on a sofa, Perez is hypnotized by a group of four girls facing him.

This lost classic, shot on 16mm in a wintry Berlin in 1993, explores the origins of the German trance scene. Featuring interviews with fresh-faced selectors including Laurent Garnier and MFS Records founder Mark Reeder, the documentary also feature footage from the city's iconic Love Parades in 1991 and 1993.

"At the beginning of the 19th century there is no Chicago. There was a fort that was set on fire by Indians shortly thereafter. Later, the turbulent expansion of a settlement began, which became a center for the immigrant workforce, traditional industry, slaughterhouses, and, in 1941, armaments for war. The Windy City on Lake Michigan is the fastest changing city in the world. This 35mm Arriflex film time-lapse footage is annotated with classic techno cuts and information about the tunnels under Chicago, the slaughterhouses, organized crime, Sears & Roebuck catalogs and other peculiarities of this strange city."

On February 20th , deadmau5 releases the "Meowingtons Hax 2k11 TORONTO" live DVD featuring one of the biggest live shows in electronic music. The concert was filmed at the Rogers Centre in Toronto in front of a sold out hometown crowd and includes performances of deadmau5's biggest hits, plus special unreleased tracks, all accompanied by his infamous mind-blowing visuals. "Meowingtons Hax 2k11 TORONTO" rounds off a prodigious 12 months for the 'mau5 and showcases exactly why he has been lauded so highly by critics and peers alike.

As noted on back-cover: "The 27th of November 1993 the Jaarbeurs Utrecht was the location of the biggest and most spectacular house event in European history. 20.000 Ravers, 160 K Sound, 500.000 Watts of Lights, 12 DJ's, 5 Live Acts and the famous Thunderdome Octopus. Witness the unbelievable "Wall Of Sound", hypnotizing lights, lasers, video effects and of course the Thundertruck."

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

Paris La Defense - Une Ville En Concert was a concert held by musician Jean Michel Jarre on the district of La Défense in Paris on Bastille Day, July 14, 1990. About 2.5 million people standing in front of the pyramidical stage all the way down to the Arc de Triomphe witnessed this event, setting a new Guinness Book of Records entry for Jarre. The concert was funded by Mairie De Paris, Ministry of Culture and a small cluster of high-profile Parisian business concerns. Later, a concert video as well as a photobook of the event were released. The show featured new tracks from the Waiting for Cousteau album, and vast grotesque marionettes created by Trinidadian Peter Minshall.

Erasure--Hits: The Videos plays in Dolby stereo, with some of the later videos being 16:9 format. Disc 2 includes exclusive performance footage, rare videos and tracks performed live on all of Erasure's major tours. Six lengthy promotional documentaries from 2001 to 2003 are included, which feature interviews with the pair. Hidden bonus footage has also been crammed on to the disc. The only downside is the clumsy menus, which are difficult to navigate and are not all that pleasing to the eye. --John Galilee

The concept for the film was developed based on sociological research conducted as part of the Youth Subcultures conference in collaboration with the Institute of Sociology of the Slovak Academy of Sciences. The film’s core value lies in its ability to provide an inside look at selected subcultures, achieving an exceptional level of engagement with their members. The filmmakers managed to break through the participants' initial reluctance to openly discuss their experiences. The documentary directly addresses key aspects of these subcultures, including drugs, faith, and personal beliefs. It focuses on six specific groups: the techno scene, graffiti artists, antifascists, religiously oriented youth, skinheads, and young people inspired by Eastern spirituality. The film includes footage from illegal rave parties, graffiti sessions, and other underground activities. Overall, the documentary serves as an insightful map of Bratislava’s contemporary alternative scene.