France / Tour / Detour / Two / Children

This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.

The Devil Never Sleeps is a “whodunit” documentary about family secrets. Filmmaker Lourdes Portillo received a phone call informing her of the mysterious death of her wealthy Mexican uncle Oscar. Officially ruled a suicide, Portillo’s relatives claimed murder, offering several possible suspects including a business partner, a ranch hand, and Oscar’s young widow who stood to inherit everything. Traveling to Mexico, Portillo attempts to learn the truth about her powerful uncle. Using interviews, old snapshots and home movies, she finds a complicated web of family secrets, intrigue, rumor and betrayal that makes her enigmatic uncle’s murder seem ever more likely, yet ever more obscure. As the Mexican saying goes, “When evil is lurking, the devil never sleeps.”

An animated history of American health care provider, Planned Parenthood.

Segregation, abandonment, and the meaning of home are discussed by the people that lived in, worked at, and crusaded for one of the largest and oldest Intellectual and Developmental Disability Institutions in the United States. The facility, in its closing, challenged society's perception of those with intellectual disabilities and ultimately fought for better rights.

Filmed in New York in the summer of 2006: a march across the Brooklyn Bridge in support of the Palestinian and Lebanese populations. Habibi means "beloved" in Arabic.

John Wayne, Henry Fonda and James Stewart discuss working with John Ford

In the 1920s, Angela Murray Gibson chose an unusual location to embark on a career in silent filmmaking: her tiny hometown of Casselton, North Dakota. She had previously helped Mary Pickford as an advisor and assistant director on The Pride of the Clan (1917), which Mary Pickford produced and starred in. She opened North Dakota's first movie studio, and she had the audacity to be a woman in an industry dominated by men.

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

Forty years before WikiLeaks and the NSA scandal, there was Media, Pennsylvania. In 1971, eight activists plotted an intricate break-in to the local FBI offices to leak stolen documents and expose the illegal surveillance of ordinary Americans in an era of anti-war activism. In this riveting heist story, the perpetrators reveal themselves for the first time, reflecting on their actions and raising broader questions surrounding security leaks in activism today.

This documentary tells two stories simultaneously: it's a profile of Bernard Tapie, a wealthy man who rises and falls spectacularly in French society and may be on the rise again; and, it's a look at Marina Zenovich's fascination with Tapie, behaving oddly in spite of her awareness that she's being irrational. Politicians, athletes, friends, companions, and journalists comment on Bernard's charm, his rise to prominence in sports and politics, and his subsequent trouble with the law. Zenovich becomes fixated on her need to interview Tapie, becoming virtually a stalker in her quest.

In 1920 a group of young Montreal women artists formed the nucleus of what would later become known as the Beaver Hall Hill Group. Members recount how they created an artistic environment of mutual support that lasted for more than three decades.

Bokolo and Mamadou, sweepers in the city of Paris, are looking for a way to pay for the return home of one of their sick comrades. When they find an old book of recipes in the trash, they discover a passion for French cuisine and decide to participate in a televised cooking competition.

Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.

Four years after a military coup overthrew the Brazilian government in 1964, all civil rights were suspended and torture became a systematic practice. Using a mix of fiction and documentary this extraordinary film is a searing record of personal memory, political repression and the will to survive. Interviews with eight women who were political prisoners during the military dictatorship are framed by the fantasies and imaginings of an anonymous character, portrayed by actress Irene Ravache.

The life of Marie and Peter seems perfect, but their greatest wish remains unfulfilled: a family of their own. After several painfully failed attempts to have a child by natural means, Marie and Peter decide to try adoption in Russia. Carried by their longing and after many months of preparation and waiting, they set off to get to know their future daughter Nina in a children's home thousands of kilometers away from Germany. They still have no idea that they are only at the beginning of a tour de force against the Russian authorities – and they are facing the biggest challenge for their relationship, because while Marie and Peter are fighting for their future child, the question is: are we still pursuing the same goal? Each for himself – and especially as a couple?