Geliebte Hochstaplerin

Vlasta Burian appears in a town of Czarist Russia impersonating an Inspector General, and he is entertained lavishly by the local political-hacks and peasants seeking his favor for whatever they are advocating or need fixed. Burain is involved in a series of comical situations as he takes everything he can gets his hands on while the peasants, who must plead for the betterment of their conditions, are left on the outside-looking-in. He makes his escape just as the real Inspector General is set to appear, but those-in-need will be no better off when the real McCoy shows up then they were with Burian.

Charming country girl Anička Košáriková and the handsome Paľo share a tender, mutual affection, until Anička’s recently widowed mother forbids the match. Paľo is the son of the former steward who once fell on hard times while serving the Košárik family, and his family’s ruined reputation casts a shadow over their budding romance.

Prince bon-vivant Levan Phantiashvili finds himself in a difficult financial situation. To make his life better he agrees to marry the merchant Adam Varakhidze’s daughter, Elo. The merchant is happy for this move opens the door in a high society for him until he finds out that Elo is not quite happy with his decision.

Brave new steps put Scott's career in jeopardy. With a new partner and determination, can he still succeed?

When Hamlet discovers his father’s deceased body, he finds himself pulled into a power struggle as his scheming uncle attempts to secure a monopoly on the Scandinavian rubber duck industry. Will Hamlet avenge his father? Will he become the king of rubber ducks? Does any of it really matter?

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings, and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for 25 years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art. One of the first five episodes also released on terrestrial TV on a 2009 BBC TV series titled "National Theatre Live".

While an admiral's son is hunted by secret agents, his sister plays his part on a warship.

Bret Maverick is a gambler who would rather con someone than fight them, and needs an additional $3k in order to enter a winner-takes-all poker game beginning in a few days. He joins forces with a woman with a marvelous Southern accent, and the two try and enter the game.

Two escaped cons' only prayer to escape is to pass themselves off as priests and pass by the police blockade at the border into the safety of Canada.

The news that frames the two days in which the whole story takes place is bad. At first glance, these don't seem like the happiest two days. And yet, they are filled with comedy that is so entertaining and full of twists and turns. What's more, it's a comedy that finds strength in the hope that there is kindness and a deep desire for understanding and openness hidden in each of us. It's a story of our times (as the radio news reports quoted suggest), and yet it transcends our times; after all, it's not every day that the pope is kidnapped.

Tonya Korovyak sleeps and sees itself a superstar. Dreams about glory, admirers, ovations and white limousine became her fixed idea. If at one time an ambitious girl mastered the elements of noble manners in boarding-school, now for the achievement of the put aim Tonya gathers to go to study on "Factory of Stars".

Three sisters take their small inheritance and move from Kansas to California in search of rich husbands. To start with, Pamela poses as a socialite and Moira and Elizabeth pretend to be her staff.

Ciel learns of a "Aurora Society", that is rumored to be researching how to bring the dead back to life. Their next meeting is scheduled to be conducted on the ship Campania, voyaging across the Atlantic Ocean. Much to Ciel's dismay, Elizabeth "Lizzy" Midford, is taking the same ship, thus leaving him with no choice but to get aboard as well.

Arnold Beckoff is looking for love and acceptance, but as a gay man working as a female impersonator in 1970s New York City, neither come easily. After a series of heartaches, Arnold believes he has found the love of his life in Alan, and the couple make plans to adopt. But when tragedy strikes, Arnold's life is shaken to its very core, leading to a confrontation with his overbearing mother, who has never approved of her son's lifestyle.

Helena loves the arrogant Bertram, and when she cures the King of France of his sickness, she claims Bertram as her reward. But her new husband, flying from Helena to join the wars, attaches two obstructive conditions to their marriage - conditions he is sure will never be met. Featuring Olivier-award winning actress Janie Dee as the Countess of Roussillon.