Ditch

A group of five rookie insurance salespersons, driven to desperation by the impossibility of their work in Japan's failing postwar economy, form a plan to rob a cash delivery truck in order to provide for their families.

In postwar Tokyo, beloved writer-professor Hyakken Uchida retires and is buoyed through hardship by the fierce devotion of his former students, who honor him each year with a raucous “Not yet!” birthday toast. Told in warm, gently comic vignettes, Kurosawa’s farewell celebrates aging, friendship, and the sustaining ritual of teacher and pupils refusing to say goodbye.

During the war a university professor meets a girl and marries her. Very soon however, it is apparent that their needs are not matched. He would much rather be translating Shakespeare than attending to her, and she has a secret in her past - one that results in her sleeping with a great number of men.

Post-war Yokosuka, Kanagawa Prefecture. Adults who are swayed by the US military stationed in the country and swayed by US intentions cannot afford to care about children who should be protected. The war orphans, who had no choice but to survive on their own, were used to shining shoes for American soldiers, picking up cigarettes, and sometimes committing crimes. However, at some point, they came across a "cleaning" job. They work hard instead of committing crimes and earn money by being appreciated by people. The orphans begin to regain their smiles through experiences that make them feel like they should be alive. The children started to have a modest dream of "renting a house and living" with their own earnings, but they were attacked by an even harsher reality...

Eddie Kenner is given a special assignment by the Army to get the inside story on Sandy Dawson, a former GI who has formed a gang of fellow servicemen and Japanese locals.

An aging foundry patriarch, gripped by terror of nuclear annihilation, tries to uproot his family to Brazil. When they petition to have him declared incompetent, a family-court counselor witnesses his obsession slide into ruin—and asks whether ignoring the atomic threat is any saner.

A gentle, war-shattered ex-soldier, Kinji Kameda, arrives in wintry Hokkaidō and is pulled into a volatile tangle of love and pity between the disgraced Taeko Nasu, the proud Ayako, and his possessive friend Akama. Kameda’s saintly compassion exposes everyone’s wounds, steering the quartet toward jealousy, violence, and inexorable tragedy. Adapted from Dostoevsky’s novel.

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

A young Tokyo salary man and his wife struggle within the confines of their passionless relationship while he has an extramarital affair.

In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.

A woman struggles to raise her young son on her own in postwar Japan, finding companionship with a kind laborer while still hoping for the return of her missing husband.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Two broke sweethearts wander war-scarred Tokyo on a single Sunday, stretching 35 yen as they chase housing, small pleasures, and a little hope.

Fleeing a distressing family situation, Eiko, a very young girl, becomes an apprentice to Miyoharu, a veteran geisha. Both, determined to preserve their professional integrity, must face the selfishness and ambition of several petty people.

In post-war Japan, Michiko, a disillusioned young woman trapped in a loveless marriage, confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko's husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.