Happiness

In 2014, Tsai Ming-Liang was invited to make a film for the MarseilleFID, Marseille International Film Festival. Since he was not familiar with Marseille, he decided to make a film as tourist, capturing the beautiful Mediterranean sunshine in the late summer of that year. He also invited famous French actor, Denis Lavant, to appear alongside Lee Kang-Sheng playing Xuanzang. "Journey to the West" was invited to be the opening short film at the Berlin International Film Festival the same year.

Narrated by Benedict Cumberbatch, Walk With Me is a cinematic journey into the world of a monastic community who practice the art of mindfulness with Zen Buddhist master Thich Nhat Hanh.

How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.

Four monks, a royal scholar, and their American guru are fighting to save Bhutan's sacred arts while learning the art of letting go.

Angdu is no ordinary boy. Indeed, in a past life he was a venerated Buddhist master. His village already treats him like a saint as a result. The village doctor, who has taken the boy under his wing, prepares him to be able to pass on his wisdom. Alas, Tibet, Angdu’s former homeland and the centre of his faith, lies far away from his current home in the highlands of Northern India. On top of that, the conflict between China and Tibet makes the prospect of a trip there even more daunting. Undeterred by these harsh facts, the duo set off for their destination on foot, accompanied by questions of friendship and the nature of life. With its narrative approach steeped in a serene sense of concentration, this documentary film, composed over a period of eight years, stands as a fundamental experience in its own right.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

The influential life and powerful messages of Vietnamese Buddhist monk Thich Nhat Hanh are explored in this biographical documentary. For more than 50 years, this amazing social activist has preached self-awareness and compassion for all living beings. Follow him as he travels through France and the United States—including a stop at the Vietnam War Memorial in Washington, D.C.—spreading peace by teaching mindfulness and forgiveness.

Four men from a nomadic Tibetan tribe undertake their annual, ritualistic pilgrimage to a sacred salt lake. Salt gathered in this traditional fashion will be sold to provide the economic livelihood of the tribe for the coming year. The journey, necessary for the group's survival, also incorporates a number of rituals necessary for their culture to survive in the modern world.

The Dragon House portrays the confrontation between tradition and modernity which the Kingdom of Bhutan is currently experiencing. This is done by means of two Bhutanese characters: a young Buddhist monk, heir to the local tradition, and the first disc jockey to dare to play House and Techno music in the small Himalayan kingdom.

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

In Nepal, a venerable monk, Geshe Lama Konchog, dies and one of his disciples, a youthful monk named Tenzin Zopa, searches for his master's reincarnation. The film follows his search to the Tsum Valley where he finds a young boy of the right age who uncannily responds to Konchog's possessions. Is this the reincarnation of the master? After the boy passes several tests, Tenzin takes him to meet the Dali Lama. Will the parents agree to let the boy go to the monastery, and, if so, how will the child respond? Central to the film is the relationship the child develops with Tenzin.

Buddhist monks open up about the joys and challenges of living out the precepts of the Buddha as a full-time vocation. Controversies swirling within modern monastic Buddhism are examined, from celibacy and the role of women to racism and concerns about the environment.

Hidden away in the Himalayan foothills, Bhutan is a country reputed for its exquisite natural beauty and the importance its people place on individual happiness. The Bhutaneses’ acute environmental awareness has led it to being the only carbon-negative country in the world. To many, the small nation seems like a model for the rest of the world. But behind this idyllic façade there lies a more sinister reality. Buddhism is the only religion tolerated by the Wangchuck dynasty who have ruled the country for the last century. This ultra-conservative regime is closely intertwined with the Buddhist faith. The flocks of millionaires and Hollywood stars who arrive in Bhutan to work on their karma can only be accommodated thanks to the toil of terribly paid workers. This film explores the dynasty’s rule while also taking a look at the youthful counterculture movement which has emerged since the country’s exposure to the internet.

The documentary team follows two happiness agents in their forties who spend a month and a half on the road twice a year, going door-to-door with their questionnaires in isolated villages in the Himalayas. The filmmakers undertake to provide an intimate insight into the daily lives and desires of Bhutanese people, and also seek the answer to the universal question of whether happiness can really be measured. Gross National Happiness promises a heart-warming journey into a mysterious, fairytale-like world, which is the exact opposite of the social order dominated by consumption and desires.

Belonging Syndrome is a short documentary that follows Duang, a second-generation Italian-Thai girl. Duang, during a period of stay in a monastery. Through her inner diary, the film explores a suspended phase of life: the one in which identity it is not yet defined and belonging becomes an open question. The monastery becomes the physical and symbolic place where Duang observes herself. Immersed in a daily life marked by rituals, silences and repeated gestures, the protagonist goes through an experience of deep listening, in which time slows down and perception is refined. Belonging Syndrome talks about hybrid identities, cultural legacies that coexist without completely merging, the difficulty and possibility of inhabiting multiple worlds without having to choose just one. It is an intimate and contemplative story about the search for balance in a fragile and open phase of existence.