Ajami

An evocative and imaginative exploration of the racial tensions in Othello and how the themes in Shakespeare's play still resonate today.

Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.

Danny ponders a way for rival gangs to avoid violence at an upcoming dance.

A burlesque fantasy about a fountain-of-youth pill and its effects on Getz, a down-and-out Tel Aviv night-club singer. After taking this much sought after pill, Getz becomes the epitome of youthful energy, and therefore a teen idol, a symbol of beauty and youth, up to the cathartic ending of the movie.

African-American Philadelphia police detective Virgil Tibbs is arrested on suspicion of murder by Bill Gillespie, the racist police chief of tiny Sparta, Mississippi. After Tibbs proves not only his own innocence but that of another man, he joins forces with Gillespie to track down the real killer. Their investigation takes them through every social level of the town, with Tibbs making enemies as well as unlikely friends as he hunts for the truth.

After leading his football team to 15 winning seasons, coach Bill Yoast is demoted and replaced by Herman Boone – tough, opinionated and as different from the beloved Yoast as he could be. The two men learn to overcome their differences and turn a group of hostile young men into champions.

A young Pakistani Briton manages a rundown laundrette with his lover while dealing with tension in his family, the local Pakistani community, and a persistent mob of skinheads.

In the days following October 7, Y., a jazz musician, and his wife Yasmin, a dancer, resolve to say yes to everything. Y. and Yasmin sell their bodies and souls to the highest bidder, surrendering themselves and their art to Israel’s social, political and military elite. Soon, Y. is entrusted with a mission of the utmost importance: to compose the music for a rousing, ruthless new national anthem.

After living abroad, Lana returns to the United States, and finds that her uncle is a reclusive vagabond with psychic wounds from the Vietnam War.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

A young lawyer defends a black man accused of murdering two white men who raped his 10-year-old daughter, sparking a rebirth of the KKK.

A young teacher inspires her class of at-risk students to learn tolerance, apply themselves, and pursue education beyond high school.

In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

A Southern sheriff brings into his home a black juvenile delinquent, who is the son of the man who saved his life during the Korean War.

After years of sexual denial, Yiftach leaves his family to live alone in Tel-Aviv. Attracted to men but torn between his former and new life, Yiftach is consumed with blame and feels disconnected from everything around him. The drama moves between different time periods, raising penetrating questions regarding prejudice and life on the fringes of society.