The Cunning Little Vixen

Bambi's tale unfolds from season to season as the young prince of the forest learns about life, love, and friends.

A deer, disillusioned by the consumerism that defines his life. A lizard, ostracized from society, forever wandering. A chance meeting in the middle of a field. Who will survive? And who will transcend existence? Preserved by the Academy Film Archive in 2009.

An elderly man and woman who love each other cycle through the forest and end up at a bench. She is delighted to see that this is exactly where she wanted to go. A carefully constructed film about love and old age, and love and loss-and the realization that everything is connected.

Countess Franziska "is kidnapped" by a band of robbers. However, her father is not willing to pay the ransom so Franziska changes sides.

Jerry Bines is trying to live down a past that includes killing a man (in self-defence), theft and an alcoholic, abusive father. He sees hope for redemption by providing life-giving bone marrow to his leukemia-stricken son. But time is running out because an escaped killer (Gary Percy Rils) is coming to town to exact revenge for ancient sins. And like the old buck in a backwoods tale he spins for his kid, Bines must stop running and turn to face his hunter.

When a willful young man tries to venture beyond his sequestered Pennsylvania hamlet, his actions set off a chain of chilling incidents that will alter the community forever.

Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.

Soprano Anna Netrebko appears in her highly anticipated Met role debut as Leonora, the tortured heroine who sacrifices her own life for the love of the Gypsy troubadour. Dmitri Hvorostovsky sings Count di Luna, Yonghoon Lee is Manrico in his Met role debut as the title character, Dolora Zajick sings her signature role of the gypsy Azucena, and Štefan Kocán is Ferrando. Marco Armiliato conducts Sir David McVicar’s Goya-inspired production.

Renée Fleming sings one of her signature roles, the title character in Dvořák’s sumptuously melodic Rusalka. The story of the opera, which is about a water spirit’s tragic romance with a human prince, is drawn from several folktale sources including Hans Christian Andersen’s “The Little Mermaid.” Star conductor Yannick Nézet-Séguin leads a cast that also includes Piotr Beczala as the handsome Prince whom Rusalka yearns to love; Dolora Zajick as the cackling swamp witch Ježibaba; Emily Magee as the Foreign Princess, Rusalka’s rival; and John Relyea as Rusalka’s father, the Water Sprite.

Radiant mezzo-soprano Susan Graham and dashing Italian tenor Marcello Giordani are unlucky lovers in La Damnation de Faust, Hector Berlioz’s classic take on dancing with the devil.

Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.

A forest can resemble the sea. It is vast and shapeless, with tree tops swaying in the wind like water. The landscape of our country, which is far from the sea, has always been naturally forested, and people had to take arable land and land for their dwellings from nature. They took it from the forest. People in earlier times were surrounded by forest to an extent that we no longer understand. They feared it, used it, and populated it with various creatures. That is why the forest has had its own artistic symbol since ancient times—on Gothic buildings, we find a stone sculpture symbolizing the forest: the demonic figure of the Green Man. From the forest, one can only see half of it, because the other half is underground. What is the history of the forest in the development of the landscape over time? The main guide of the program is Václav Cílek, followed by botanist Ivan Větvička and ecologist Jaromír Bláha.

A struggling songwriter named Dave Seville finds success when he comes across a trio of singing chipmunks: mischievous leader Alvin, brainy Simon, and chubby, impressionable Theodore.

Boog, a domesticated 900lb. Grizzly bear finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.