Cruel, Cruel Love

A belligerent hitwoman navigates a world of cutthroat killers as she attempts to get the money together in order to escape to Mexico and open a bar.

A deer, disillusioned by the consumerism that defines his life. A lizard, ostracized from society, forever wandering. A chance meeting in the middle of a field. Who will survive? And who will transcend existence? Preserved by the Academy Film Archive in 2009.

A husband and wife detective team takes on the search for a missing inventor and almost get killed for their efforts.

The plot of the lost film is divided into two acts. Ossi Oswalda and Victor Janson play two apartment seekers, while Marga Köhler is a landlady. The housing shortage is treated in sketch form and "in a joking manner [...] the real housing calamity", whereby "humorous aspects" are wrested from the "tragedy." Lubitsch and Kräly used a sketch in the film that they had written especially for Ossi Oswalda.

A man gets stuck in a deep hole, unable to escape. From The Bristol University RFT course 1979.

Sam the white-washer pines for the affluent Lindy, but she has dumped him in favor of another. Sam finds a large sum of money, and goes to New York to enjoy a shopping spree, buying new clothes, jewelry and a car with a driver. Back home, Lindy flips for Sam and his newfound wealth, and dumps the rival. Sam throws an engagement party where he indulges in a friendly game of cards with his former rival and another man, who unbeknownst to Sam, is a card shark.

Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

The whole village mourns when General O'Leary, owner of a hunting estate in South Ireland, is killed in an accident. His nephew, Jasper O'Leary, takes over the state and soon has aroused the displeasure of all, with the exception of Serena McGluskey, as much a schemer as he is a cad. Led by Thady O'Heggarty, the villagers plot to drive Jasper away. They use the occasion of "O'Leary Night", when the ghost of the first O'Leary walks the halls, to create general chaos.

Passing Through is a 1921 American silent comedy drama film, directed by William A. Seiter and written by Agnes Christine Johnston, and Joseph F. Poland.

Thinking it is a worthless trinket, Dorothy trades her husband’s prized Aztec idol to a street peddler in exchange for a beautiful silk shawl. She soon discovers the idol is actually an extremely valuable artifact. Desperate to retrieve it before her husband notices, she learns that it has already been purchased by their neighbor, an artist named Cambridge. Dorothy enters Cambridge’s apartment to recover the idol secretly. Her efforts lead to a series of comedic misunderstandings and frantic situations as she tries to protect her marriage and her husband's property.

Comic hijinks on a pirate ship with British comedian Lupino Lane.

The story of Elwood P. Dowd who makes friends with a spirit taking the form of a human-sized rabbit named Harvey that only he sees (and a few privileged others on occasion also.) After his sister tries to commit him to a mental institution, a comedy of errors ensues. Elwood and Harvey become the catalysts for a family mending its wounds and for romance blossoming in unexpected places.

Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.

Father Brown is only too happy to interfere with the work of the police in solving tricky criminal cases, usually with resounding success. That's why the clergyman is transferred to a sleepy island called Abbott's Rock. At first, nothing happens there, but somehow Father Brown seems to be attracted to crime: Soon a gang of thieves is up to no good on the island. So Brown makes the headlines again, and is punitively transferred once more. This time he finds himself in a quiet Irish millionaire community.