Hollow Land

El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.

This is a story about the origin of hostility between a cat and a dog. Based on the ballad of Hovhannes Tumanyan.

Documentary that follows the lives of two pirates and their community on the Somali coastline; what are the incentives of the pirates, why did they become pirates, how did they grow up in a country with political chaos, war and extreme poverty? The narrative structure is built around two interweaving story-lines; one depicting the "present", the daily lives of the pirates and their community, and the second in the "past", revealing through epic animation, the unfolding of a recent hijacking.

This one features Jasper talking to the Talking Scarecrow. The Scarecrow then tells Jasper in flashback about his show business days. You see many scenes of dancing watermelon men and other minstrel caricatures.

The witch Yubaba from Spirited Away faces the viewer then laughs exaggeratedly, her mouth wide open. She spins around 180 degrees and a baby bird comes out of her hair, singing. The bird disappears in the hair of the witch who resumes her initial position and leaves with a great burst of laughter.

In a busy life, Copi is a father who tries to teach the right way to his son, Paste. But - What is the correct path?

Pearl and Gadabout are now a flying doctor trio, caring for creatures including a mermaid, a unicorn and a sneezy lion. However when bad weather forces them to land at the palace, Pearl is locked up by her uncle, the king.

Follow a little toy clown, thrown away with a load of old discarded toys, as he goes on a journey to find a new loving home for himself and his friends.

This technically quite well-made cartoon from pre-war Nazi Germany is a commercial (or propaganda piece) for Volksempfänger ("people's receiver"), inexpensive radios. First we see agricultural statistics: the far-away village of Miggershausen is quite below standards in milk and egg production. An anthropomorphic radio undertakes the long voyage by express train, steam train, hay carriage to Miggershausen to advertise its services. It is not well received. Then, it collects and leads an army of radios to try again. They flood all the farmhouses and seem to be more convincing that way - at day, they spread agricultural knowledge to bring milk and egg production up to standards; later, they just play music and illustrate how various people enjoy various kinds of music.

Their last dinner before he leaves to join the Army. The reality of the situation begins to break in through the four surrounding walls.

In a vibrant city pulsating with rhythm and movement, an elderly man and his young-at-heart wife rekindle their youthful passion for life and each other on one magical night.

In a desolate future, one small town has survived because of a large windmill dam that acts as a fan to keep out pollution. The dam's operator, Pig, works tirelessly to keep the sails spinning and protect the town, despite abuse from classmates and an indifferent public. When a new student joins Pig's class, nothing will be the same again.

I remember the games I played when I was young. We were happy playing together, but, looking back, I realize I used the games to satisfy my own desires. It was a child’s selfcentered behavior. But adult lovers, too, display immature sides in their relationships. Consumed by self-love, they act like children. I have tried to illustrate this kind of love through the metaphor of children’s games.

In a dark future, a mysterious man performs experiments on rats.

In 1970s Iran, Marjane 'Marji' Satrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.