The Private Life of Helen of Troy

The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.

After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

Mo Geum-san is a barber living in the rural area, who once aspired to be an actor. He starts to have doubts about his humdrum life after the village health center advises him to be examined at a larger hospital. He comes up with a plan to give a gift to his beloved ones in the coming Christmas. The plan is to invite everyone to the local culture center and to screen his self-made comedy movie based on his own tragic life.

A resourceful landlady rents the same room to two men: the commercial clerk Zimt, who is at work during the day, and the conductor of a café orchestra Zucker, who has to work all night. After all kinds of turbulence, the trick comes to light and the two bitter enemies Zucker and Zimt eventually become good friends.

In order to land an important client, Morgan is obliged to escort a beautiful redhead to a costume ball. Finding out about this, and suspecting that some hanky-panky is involved, Morgan's wife Angela dons a mask and a red wig and offers herself as the companion of her unwitting hubby. Angela's jealousy-motivated subterfuge works to everyone's advantage when she manages to cinch the deal for Morgan.

While making a movie in the Alps, the female star falls in love with a nobleman.

Sergius, a student in Paris, is called upon to ascend the throne of Deliria, and the Duke of Onnandoff comes to announce the fact accompanied by his beautiful young Duchess. The Prince, however, has gone off for a night's merrymaking in Paris, and at a popular cafe he meets and falls in love with a beautiful ex-dancer, who is none other than the Duchess of Onnandoff, who is paying a surreptitious visit to the scene of her former triumphs. A group of conspirators who wish to prevent Sergius ascending the throne, lure him to the house of the Delirian Ambassador where they intend to keep him prisoner. The young Duchess caught in a heavy shower, is given shelter at the house by the Ambassador's footman. Here she learns of the plot against the youth with whom she has spent a charming evening, and it is her wit and ingenuity that upset the plans of the conspirators and enable Sergius to secure his crown.

A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

The plot of the lost film is divided into two acts. Ossi Oswalda and Victor Janson play two apartment seekers, while Marga Köhler is a landlady. The housing shortage is treated in sketch form and "in a joking manner [...] the real housing calamity", whereby "humorous aspects" are wrested from the "tragedy." Lubitsch and Kräly used a sketch in the film that they had written especially for Ossi Oswalda.

Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.

A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..

A sexy young nightclub singer sets her sights on a young man she believes to be a millionaire playboy, although he is in reality only an insurance agent.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

A struggling drug addict is plunged into a tortured netherworld, where he must defend his spirit from a ravenous horde of soul-addicted junkies.