Maqbool

When a deported gangster dies in Italy, the U.S. Treasury Department is very interested in the one million dollars Madigan owed the government, but managed to take to Italy with him. They send Agent Jason Phister over to Italy to nose out the million. His criteria for the job is that no one would ever guess he's an agent of the United States government.

Jaandaar (English: Lively; Hindi: जानदार) is a 1979 Bollywood Action film, produced and directed by S.K. Lutha under the Kareer Films banner. It stars Vinod Mehra, Bindiya Goswami, Amjad Khan, Mahendra Sandhu in the lead roles while Jeetendra has given a special appearance and the music was composed by Kalyanji Virji Shah.

Squadron Leader Veer Pratap Singh, a pilot in the Indian Air Force, rescues the stranded Zaara, a woman from Pakistan, following a bus accident, and their lives are forever bound.

A man pursues a woman who is already engaged and eventually gets married to her. Differences between the two lead to a bitter separation that threatens to destroy their relationship forever.

The encounters of two people who run into each other on several occasions under circumstances ranging from friendly to hostile to loving. Along many years and countless run-ins, the two despise each other, befriend each other, and fall in love with each other—in no particular order.

An uptight MBA student falls for the charismatic new neighbor who charms her troubled family – but he has a secret that forces him to push her away.

A young Prince Asoka works to perfect his skills in battle and also deals with family conflict. During a struggle with one of his step-brothers, his mother urges Asoka to escape to stay alive. While away, Asoka meets Kaurwaki and falls in love, but must use his skills as a warrior to protect her. A dangerous and heartbreaking web of conspiracy follows, which leads Asoka to embrace a Buddhist path.

Three womanisers find a baby left at their doorstep. Chaos ensues as they try to contact their former girlfriends to determine who is the father amongst them.

Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.

A boy and girl from opposing families meet and fall in love, determined not to let the hate between their parents stand in the way of their happiness.

This is the story of Amit and Samara - two souls in Mumbai, a city of millions and how the universe conspires to bring them together. This is a coming of age film about how two people are destined to meet but only when their individual lives are ready for each other. Through a chance encounter, a series of coincidences and fates helping hand, Amit and Samaras lives intersect and affect each other. Whether they can find their true paths or not, only time will tell.

Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.

A period drama, the film is based on Ismat Chugtai's most celebrated story "Lihaaf" (published 1942). The film inter weaves the plot of same sex relationship between Begum and her masseuse and the trial that Ismat underwent after being slapped with a case of obscenity on publishing the story. The film raises themes of homosexuality and freedom of speech that our society is grappling with even today.

Once upon a time there was a Kingdom Ujjaini and its King was Maharaj Raja Vijay Singh (Pran) his only daughter Princess Indumathi (Jayaprada) loves a dynamic guy Ramu (Jeteendra) who was a gardener in fort, Maharaj keeps a condition that if he could become equal to his status then he will give his daughter's hand to him. There was a mesmerizing person Mantrik Husair (Kader Khan) who has super natural power who wants to achieve a powerful ideal of Pataal Bhairavi

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.