Kankel, el corazón de la plaza

After his retirement, french philosopher and bullfighting enthusiast Francis Wolff decides to embark on a journey to France, Spain and Mexico joined by two mexican filmmakers who hardly know anything about bullfighting, a culture whose days seem to be numbered. During their road trip, they encounter numerous personalities with whom they reflect on mankind’s relationship with animals and nature, but most importantly on our relationship with death and the meaning of the ultimate journey: life itself.

Juanito, a peaceful fan of bullfighting, has become picador's assistant to see from the same arena the show in which he brags he is one of the protagonists. Furthermore, he believes he has discovered in a neighbor a potential figure of bullfighting sphere.

Blas Romero "El Platanito" is a bullfighter who begins to take its first steps in Merida. After a long journey, one day he is lucky enough, his performance is showed on TV and that brings him to top of the charts. From now on, his problems will be centered with the dilemma of having to give up their dreams of making serious classical bullfighting, or jump to a false bullfighting, between slapstick and temerity, which will give offer him numerous well-paid contracts.

Four real episodes told by their protagonists: Antonio Mejías "Bienvenida" tells the serious goring he suffered in the Plaza de Las Ventas and his recovery process. Álvaro Domecq Romero evokes the last days of the life of the mare "Splendid", the noble animal that was brave and sensitive companion of his father. Andrés Vázquez tells how the times of the "capeas" were in little villages. With him were many unknown kids, who found an anonymous and obscure death. Finally, Luis Miguel "Dominguín", who was with Manolete, in Linares, the afternoon in which he met his death, evokes that tragic afternoon and glosses the bullfighter's human virtues. The four protagonists have seen the death in one way or another and the four tell the indelible impression that remained on them.

A portrait of American actress Uma Thurman, muse of legendary filmmaker Quentin Tarantino and courageous voice for the many victims of despotic producer Harvey Weinstein.

The world – full of sensitivity – lies far away. Changeable as the northern sky. Monotonous – like a prayer. Wonderful as stones. At the same time familiar and mysterious. We are advancing by a big river. It's autumn on the river. Somewhat empty – but it is a sensitive void: filled with vital meanings. Downstream and downstream…

A documentary recorded during the filming of "The Wandering Soap Opera" by Raúl Ruiz. Made in 1990 and completed 27 years later, in 2017. The film brings closer the approach in Ruiz's directing style and his personal vision of Cinema.

Stories of three women who have been living in Itaewon, Seoul, Korea since the era that the town was run by U.S dollars of the U.S. Army.

An extraordinary document from one of the Cold War's bitterest conflicts - between the Soviet Union and Communist China - this film spares no quarter in its indictment of Maoist evils and misrule.

A film about the development of virgin and fallow lands in Siberia, Kazakhstan, and the Volga region.

Through abrupt soundtrack shifts, this short film jumps between historical political imagery to explore the cinematic language of propaganda, unpacking complex concepts through sensory explosions — from the Brazilian military dictatorship to the Chinese revolution.

Via reminiscences from writer/actor Gene Wilder and others, this documentary recalls the making of the 1974 film Young Frankenstein.

Wang Bing concludes his monumental Youth trilogy in expansive fashion, giving ever wider scope to the lives of migrant workers in Zhili’s textile factories as they plan to go to their remote hometowns to visit their families and celebrate the festivities for New Year’s break.