Son Habana

From the back rooms of Camden's pubs to the roof of Buckingham Palace at Queen Elizabeth’s Jubilee: the London band Madness enriched British pop music history with their cheeky style and spectacular performances. In this documentary, we look back on their illustrious career with interviews with band members, friends, and music industry figures. Featuring brand new recorded interviews with Suggs and Bedders from ‘Madness’. Alongside interviews with Lynval Golding, Rhoda Dakar, Clive Langer and many more.

London Live: Lady Gaga Special presented by Sara Cox.

Documentary that addresses the phenomenon known as the "destroy route" or the "bakalao route" that placed the city of Valencia in the social and musical vanguard of the late 80s and early 90s.

On August 1, 1942, a 22-year-old Mexican American man was stabbed to death at a party. To white Los Angelenos, the murder was just more proof that Mexican American crime was spiraling out of control. The police fanned out across LA, netting 600 young Mexican American suspects. Almost all those taken into custody were wearing the distinctive uniform of their generation: Zoot Suits. The tragic murder and the injustice of the trial that followed, coupled with sensational news coverage of both, fanned the flames of the racial hostility that was already running rife in the city. Within months of the verdict, Los Angeles was in the grip of some of the worst violence in its history.

A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.

An experimental documentary looking at the transgender experience around the world over two hemispheres, three continents and with four interviewees. The film employs limited B roll shots or edits during the interviews, instead opting to have the interviews mostly uncut, with the goal of creating both a level of sincerity and a conversational narrative between any one of the interviewees and the audience.

With only four spots available in a new K-pop supergroup and the final cut a week away, the competition is off the charts. When a talented and mysterious new girl is introduced at the last minute, things start to get strange — girls are being hunted and attacked one by one, but who is responsible for the carnage, and more importantly... who will make the final cut?

Grounded and cut off from technology, a rebellious teen steals his dad's convertible for an unforgettable day in LA with his best friend.

Recorded on May 11th, 2017 at the Red Rocks Ampitheatre, Denver, Colorado, USA

On April 29 and 30, 1989, Akina Nakamori held a special concert at Yomiuriland East to commemorate the eighth anniversary of her debut and wherein she performed all twenty-three of her singles.

London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.

Set 1: Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) Here Comes Sunshine(Grateful Dead cover) Next Time You See Me(Junior Parker cover) Loose Lucy(Grateful Dead cover) (with 'Take Me to the River' tease) Friend of the Devil(Grateful Dead cover) They Love Each Other(Jerry Garcia cover) Lost Sailor(Grateful Dead cover) (>) Saint of Circumstance(Grateful Dead cover) Set 2 Playing in the Band(Bob Weir song) (>) The Wheel(Jerry Garcia cover) (with 'Diamonds on the Soles… more ) St. Stephen(Grateful Dead cover) (> 'William Tell Bridge' >) The Eleven(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Dark Star(Grateful Dead cover) (verse 2) Althea(Grateful Dead cover) Stella Blue(Grateful Dead cover) (>) One More Saturday Night(Bob Weir song)

Set 1: Good Times(Sam Cooke cover) Truckin'(Grateful Dead cover) (>) Smokestack Lightning(Howlin’ Wolf cover) (>) Deal(Jerry Garcia cover) Me and My Uncle(John Phillips cover) Dear Mr. Fantasy(Traffic cover) (>) Hey Jude(The Beatles cover) (coda only) (>) Terrapin Station(Grateful Dead cover) Don't Ease Me In(Henry Thomas cover) Set 2: Eyes of the World(Grateful Dead cover) Shakedown Street(Grateful Dead cover) (>) St. Stephen(Grateful Dead cover) (>) Cumberland Blues(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Milestones(Miles Davis cover) (>) Days Between(Grateful Dead cover) (>) Sugar Magnolia(Grateful Dead cover) (>) Scarlet Begonias(Grateful Dead cover) (>) Sunshine Daydream(Grateful Dead cover) Encore: Going Down the Road Feeling Bad([traditional] cover)

This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.

Jimmy Rabbitte, just a thick-ya out of school, gets a brilliant idea: to put a soul band together in Barrytown, his slum home in north Dublin. First he needs musicians and singers: things slowly start to click when he finds three fine-voiced females virtually in his back yard, a lead singer (Deco) at a wedding, and, responding to his ad, an aging trumpet player, Joey "The Lips" Fagan.