Change and Don't

About the poet C.A.Conrad, an eccentric Elvis worshiping poet and tarot card reader, who confronts his violent past and the suspicious death of his boyfriend, Earth. The film attempts to unravel the mystery of Earth's death, while Conrad wrestles with his inner demons through a series of unconventional rituals and a tour of the deep South.

WAR OF WORDS is an energizing, controversial and inspiring feature documentary that lifts the lid on the fast growing UK Battle Rap scene. The documentary is an examination of an exciting subculture of youth in the UK today; their creativity and work ethic, their passion for language and ability to control their own destiny. It investigates freedom of expression and respect for other cultures and lifestyles. While the language is often harsh and unflinching, the 'anything goes' philosophy of the battle arena results in one of the most harmonious and creative scenes in youth culture. The film is a truly entertaining expose on how the UK has embraced this American art form, creating one of the most exciting youth subcultures happening right now.

Since the fall of Saigon in 1975, Vietnamese refugees have built the largest Vietnamese community outside of Vietnam, in Orange County, California. In 1999, "Little Saigon" burst onto the national stage when a store owner displayed a poster of Ho Chi Minh, triggering protests by Vietnamese Americans struggling to reconcile their past demons with their present lives. Saigon, U.S.A. uses this moment to examine this community's changing identity and growing empowerment.

An experimental film that reflects on the past, encourages audiences to live in the present and look into the future with optimism.

Celebrated as one of the masters of the short story, Frank O'Connor was also an important translator of classical Irish poetry. Cork poet and writer Liam O'Muirthile tells O'Connor's forgotten story. He argues you cannot understand O'Connor's voice in English without understanding his natural writing voice, which is rooted in Irish.

Untold stories of migrant workers’ hardships and sacrifices, the very people who built the lavish and luxurious Singapore we know, are conveyed through the eyes of Vijay.

Language of Mules is a poignant exploration of the haunting legacy of the Holocaust through the eyes and words of poet and author John Guzlowski. Born to Polish parents who survived the unimaginable horrors of Nazi concentration camps, Guzlowski's poems give voice to the stories passed down from his parents, stories of suffering, resilience, and survival. The film interweaves interviews with Guzlowski in his home in Virginia, with vivid poetic depictions of his parents' harrowing experiences: the brutality of the German soldiers, the daily horrors of camp life, physical torture, and enslavement in conditions that dehumanized those who endured them. With profound sensitivity and depth, Language of Mules becomes not just a retelling of history, but a meditation on the enduring impact of war on the human psyche.

Poet John Betjeman is shown visiting locations including Vauxhall Park, Aldersgate Street station, Camden Town and Hatfield, where he recites a handful of his poems.

Peggy Robles-Alvarado is a Jerome Hill Foundation Fellow in Literature, a Latinx Playwrights Circle Fellow, and a three-time International Latino Book Award winner who authored Conversations With My Skin, and Homage To The Warrior Women. In this film by New York-based filmmaker Matt Haller, she recounts the grief and pain of losing her father, interwoven with her Puerto Rican heritage.

It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?

After World War II a group of young writers, outsiders and friends who were disillusioned by the pursuit of the American dream met in New York City. Associated through mutual friendships, these cultural dissidents looked for new ways and means to express themselves. Soon their writings found an audience and the American media took notice, dubbing them the Beat Generation. Members of this group included writers Jack Kerouac, William Burroughs, Allen Ginsberg. a trinity that would ultimately influence the works of others during that era, including the "hippie" movement of the '60s. In this 55-minute video narrated by Allen Ginsberg, members of the Beat Generation (including the aforementioned Burroughs, Anne Waldman, Peter Orlovsky, Amiri Baraka, Diane Di Prima, and Timothy Leary) are reunited at Naropa University in Boulder, CO during the late 1970's to share their works and influence a new generation of young American bohemians.

A ferry drifts along the Weser. Slow 16mm images of boats, railings, industrial shores, and cranes—scarred and clouded by the river itself, hand-processed with its water, marked by sediment and rust—dissolve into Annina Mossoni’s text: some people want the world on a string.

An event organised by CND pits the bomb against poetry. Hear artists who hoped that words and rhymes could put an end to destructive times.

sucking on words is a documentary film that features interviews with, and extensive performances by, the American poet Kenneth Goldsmith. It also features critical commentary on his intense and ground-breaking conceptualist practice from three of North America’s leading voices on avant-garde poetics. Shot on location in New York in 2007, the lively conversations featured in sucking on words are an ideal introduction to Goldsmith’s witty and provocative works, which are already regarded as hallmarks of 21st-century literature. The film showcases readings from some of his notorious books: No.111 (found phrases ending in the ‘r’ rhyme and filtered alphabetically by syllable count); Soliloquy (a transcription of every word Goldsmith spoke for a week); Day (a retyping of one day’s New York Times newspaper); Traffic (one day’s worth of hourly radio traffic bulletins); and The Weather (one year’s worth of radio weather bulletins).

At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.