Lo que guardamos

Nazi hunter Ezra Lieberman discovers a sinister and bizarre plot, masterminded by Dr. Josef Mengele, to rekindle the Third Reich.

Betty Jara reassembles the Yaguareté Commandos to exchange an imprisoned criminal for one of her own agents. A risky operation becomes even more so when she realizes they are not just fighting a drug ring but the highest spheres of power.

In the midst of the military dictatorship, a calm silence surrounds the peasant life of a grandmother and her granddaughter in the interior of Paraguay, until a sudden absence makes it unbearable.

"The Napkin Universe" tells the story of Felix and his friends, youths in search of answers to life's great mysteries, transcendence and love all the while facing the routine conflicts of existence in that stage of life where we go from adolescence to adulthood. The city of Asuncion becomes the urban backdrop onto which this story is scribbled.

In 1983, the inhabitants of the city of Pilar struggle against nature in an attempt to survive an imminent rise of the river, and amid the desperation, hope emerges.

The life and times of famed Paraguayan musician Agustín Pío Barrios, from the years of his youth to his international success.

Lucca, a young trans man from the outskirts of São Paulo, travels to Foz do Iguaçu — at the crossroads of Brazil, Paraguay, and Argentina—in search of the father he never knew. There, he meets Diego, a Paraguayan who introduces him to the secrets of the borderland.

Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.

The meeting of a group of friends around a dinner party will be broken by an unexpected event, which will reveal the real reason for the meeting...

The story takes place in Luque, on the banks of the Yukyry stream, where Juanchi is going to take a dip after playing soccer on a hot summer afternoon. The child plays innocently in the stream when he suddenly shows respiratory failure after ingesting some water. It happens what is least expected, all the people dress in mourning for the tragic death of this child, thinking that he died drowned when in fact it was something else. The child's sister and the local doctor begin an investigation and that's when they'll wish they'd never started it by learning everything that's going on behind it.

In the cheerful Latin America of the 70s an ideological struggle is waged that involves all sectors of society. Dictators and revolutionaries use the kidnapping of people as their preferred methodology to impose their ideas. Valente, the son of a powerful businessman, makes a living working for an insurance company specializing in kidnappings. His mission is to bring the victims to safety.

It tells the odyssey of Atilio and his granddaughter traveling to Buenos Aires, from Paraguay, his native country. The landscapes that run, the characters they encounter along the way, each with their own way of seeing the world.

After four failed relationships, Adames—a Puerto Rican artist—sets out to answer one question: what is love? Filming candid conversations with friends, a psychologist, a pastor, and strangers, he collects definitions that sound right on paper—until a new connection forces him to stop analyzing and start feeling.

The masks we wear end up using us. A different character to each of the people in his life, a stranger to himself, Jorge Torregrossa constantly faces the loss of his own identity. A mysterious voice on the phone warns him that an irrevocable event is approaching in his destiny, meanwhile Torregrossa runs through the labyrinth of his existence, looking for a way out before it is too late.