Dining with the Kapoors

Freddy, a 48-year-old bachelor with no children, who continues to live as if he were a teenager, meets Aylín, a 30-year-old girl who arrives in Lima, and is surprised that she could be his daughter.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

The director Andrés Kaiser combines hundreds of amateur films and photographs from the treasure trove of images belonging to his migrant grandparents creating a cinematic firework of analogies.

Her own family history from a female perspective, told as a fragmentary, personal stream of memories. Great-grandma, grandma and mother have to come to terms with the conditions of their time, the difficult prospects for a self-determined life in the working class. Some dreams are shattered, but love for each other catches them all. Collecting shells, summer in the garden, cuddling together. The big is in the small.

An estranged grandson and his grieving grandfather reconnect through an unfinished bucket list, healing old wounds and rebuilding their bond.

A young filmmaker accompanies his grandfather– a veteran of the Vietnam War– to Fairbanks, to dedicate his unit flag to a new generation of helicopter pilots.

A thoughtful exploration of gypsy culture, an intimate portrait of flamenco guitar player Yerai Cortés and a healing family exorcism through music. Antón Álvarez (aka C. Tangana) makes his filmmaking debut with this documentary.

The director explores the birth origins of actress Merle Oberon, traveling to Tasmania and India in search of the truth, but her quest ultimately results in probably more questions than it answers.

When she realizes that her grandmother, the woman who raised her, is losing her sight, the director decides to explore the bond that unites them through the episodes of non-vision that these three generations share, the memories of the past, the misunderstandings and the new memories they seek to have in common.

“Don’t end up alone like I did.” This plea expressed by her grandmother before passing, haunts Tatiana, a single, 40-year-old documentary filmmaker. Filled with questions about what it means to “not end up alone,” Tatiana explores her grandma Teresa’s life: an imposing woman who owned an iconic movie theater, divorced three times and challenged the Dominican social norms of her era. The filmmaker embarks on a journey through family archives, old films and hundreds of letters, constructing —or trying to deconstruct— a story about love, expectations and solitude.

While searching for her grandmother, the director comes across the story of three brothers who are torn between the fronts of political ideologies in the Third Reich and divided Germany: "the third brother" is the filmmaker's grandfather, who, in confronting her father, tries to overcome decades of speechlessness and, in the process, to understand where in the past her father's sense of family fell by the wayside.

Madicken is a Swedish girl from the upper level family, growing up during the time of first world war which did not include Sweden. She lives happily with her family, experiencing the world and making brave and crazy things.

Strange images hide in my mother's photo album, snapshots of her youth in Russia inside a colorful yoga group. Today, she devotes herself to other cults, all of which bring their share of propaganda, rites, gurus, and of course sacrifices. I play her role, to understand or to exorcise.

Another thrilling adventure for Elsa the lioness as she works her magic on two teenagers struggling with changes in their life.

It was aboard the legendary and sturdy Peugeot 504 and Renault 12 that most North African families made the "route du bled," a ritual return to their homeland for summer vacations in Morocco or Algeria. The film chronicles a summer migration across the Mediterranean from the 1970s to the 1990s. The memory of these epic journeys punctuates the history of North Africans in France with bittersweet nostalgia, where travel stories blend industrial automotive heritage with personal memories.