pixel skin

An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

The Planet Express crew return from cancellation, only to be robbed blind by hideous "sprunging" scam artists. Things go from bad to worse when the scammers hack Bender, start traveling through time, and take Earth over entirely! Will the crew be able to save the day, or will Bender's larcenous tendencies and their general incompetence doom them all?

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

Now, we find the rowdy extraterrestrial getting used to life with his new ʻohana. However, a malfunction in the ultimate creation of Dr. Jumba soon emerges, which reinstates his destructive programming and threatens to both ruin his friendship with Lilo and to short him out for good!

The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.

Welcome to the 1980s TV horrorshow that never was. PHANTASMATAPES is a psychotronic VHS mixtape that reimagines THE REVENGE OF DR. X (a Japan-set creature feature that was written by Ed Wood) and THE BRAIN THAT WOULDN'T DIE (the savage body horror film that inspired FRANKENHOOKER) as a late-nite, home-taped double feature—complete with local TV commercials and a new synthesizer score from Taken by Savages (JUNGLE TRAP). Inspired by hazy memories of channel-surfing at the witching hour, this is a nostalgic and experimental art project from the minds behind Bleeding Skull.

A space cruiser crashes on a planet that is home to an intergalactic prison.

A girl trapped in a time loop leaves an AI replica to relive her final days. Glitches and burned-in subtitles reveal the machine’s fractured view, until the loop shifts to the real her — blurring the line between memory, code, and consciousness. "Told from the memory stream of a trapped A.I., the film visually glitches as it attempts to 'escape,' including encoded flashes of an 'ESC' key."

A kindly occupational therapist undergoes a new procedure to be shrunken to four inches tall so that he and his wife can help save the planet and afford a nice lifestyle at the same time.

In 2017, a short anime film called Hypersonic Music Club was produced in Japan. It was directed and written by Osamu Kobayashi, a veteran of the industry who passed away in April 2021. For various reasons, this short anime was never released. It was made public on August 1, 2023.

New York, 1980: airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ... well, you get the idea. Scientists revive a man struck by lightning in 1930; he is rechristened "Single O". He is befriended by J-21, who can't marry the girl of his dreams because he isn't "distinguished" enough -- until he is chosen for a 4-month expedition to Mars by a renegade scientist. The Mars J-21, his friend, and stowaway Single O visit is full of scantily clad women doing Busby Berkeley-style dance numbers and worshiping a fat middle-aged man.

In a far future lies a strange city called The Axion. Within this city, a descendant of humanity known as The Prototype escapes from experimentation. Thus begins his quest to restore balance to The Axion, and search for what it means to be human.

This promotional tape for ReBoot was created in 1990 by The Hub (Ian Pearson, Gavin Blair, Phil Mitchell) and Limelight, the production company trying to get ReBoot off the ground. The Bob animation tests were created on Alias computer systems. The Megabyte/Hacker segment is from an even earlier animation test created on the same FGS system used to create Money For Nothing. This footage was transferred from D1 video tape (originally recorded from VHS) and restored by the ReBoot ReWind crew: Jacob Weldon, Raquel Lin, Mark Westhaver & Bryan Baker.

Nobody knows how it started. One day, the Sun just started screaming. And it never stopped... Amidst the chaos of this new world, two old acquaintances reunite and spend one last night together, as they attempt to rediscover their humanity.