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A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.

Bertram Pincus, a cranky, people-hating Manhattan dentist, develops the unwelcome ability to see dead people. Really annoying dead people. Even worse, they all want something from him, particularly Frank Herlihy, a smooth-talking ghost, who pesters him into a romantic scheme involving his widow Gwen. They are soon entangled in a hilarious predicament between the now and the hereafter!

When George and her colleagues get a new boss whose focus is on moving souls quickly and enjoying life without consequences, the team begins to break the strict reaper rules. While her friends fall victim to their desires for money, success, and fame, George breaks another rule by revealing her true identity to her living family.

The restaurant opens. Customers eat. The restaurant closes. For one employee, this daily routine becomes his personal hell.

Fragments retrieved from Archives 76 & 77 have recently been digitized. They appear to document a divine corpus with no known equivalent in mythological, historical, or religious records. The exact origin of these materials remains unclear. No official trace has been found in any consulted database to date. Independent researchers are currently investigating their content.

When Tom shows up late to an assessment, he’s thrown into an unexpected, surreal purgatory-like place called L.I.M.B.O. Trapped in this strange, bizarre state, he’s forced to confront his habits, face the consequences of procrastination and find a way to move forward - or risk being stuck in L.I.M.B.O forever…

Fragments from Brussels, about the flow of the city, A cinema, A body, A film, and a wind that blows through the town. The film is a Schizomentry experience that blends real stories and fiction. After all, where is the border?

After discovering that his terminal illness is no longer manageable, Daniel leaves the hospital and wanders through landscapes in search of a final resting place.

Bill Parrish has it all - success, wealth and power. Days before his 65th birthday, he receives a visit from a mysterious stranger, Joe Black, who soon reveals himself as Death. In exchange for extra time, Bill agrees to serve as Joe's earthly guide. But will he regret his choice when Joe unexpectedly falls in love with Bill's beautiful daughter Susan?

When a guardian angel – who invisibly watches over the citizens of Los Angeles – becomes captivated by a strong-willed heart surgeon, he ponders trading in his pure, otherworldly existence for a mortal life with his beloved. The couple embarks on a tender but forbidden romance spanning heaven and Earth.

It would be chess that brought nightmares and hell to a dreamlike, fairy-tale universe. Chess was trying to manipulate the universe and humanity. It controlled its own destiny. Time had stopped, and now flowed with strategy. To stop it, a fair match had to be played as a last resort.

Concerns a young boy's mystical experiences during his Confirmation. As the ceremony unfolds, figures from religion and mythology appear and impress on him the need to become a soldier of Christ.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

During the 2021 lockdown, I directed this short film as an intimate visual diary: a tribute to dance, music, and the queer desire to be seen. Inspired by Andy Warhol’s workshop spirit, the shoot became a stage where we played at being our own celebrities, exploring difference as affirmation. Three years later, this piece returns with a new voice-over—an echo of that creature who, even today, insists: “I am a star.”