My Hong Kong Diaries in 2022

The director Andrés Kaiser combines hundreds of amateur films and photographs from the treasure trove of images belonging to his migrant grandparents creating a cinematic firework of analogies.

Her own family history from a female perspective, told as a fragmentary, personal stream of memories. Great-grandma, grandma and mother have to come to terms with the conditions of their time, the difficult prospects for a self-determined life in the working class. Some dreams are shattered, but love for each other catches them all. Collecting shells, summer in the garden, cuddling together. The big is in the small.

It was aboard the legendary and sturdy Peugeot 504 and Renault 12 that most North African families made the "route du bled," a ritual return to their homeland for summer vacations in Morocco or Algeria. The film chronicles a summer migration across the Mediterranean from the 1970s to the 1990s. The memory of these epic journeys punctuates the history of North Africans in France with bittersweet nostalgia, where travel stories blend industrial automotive heritage with personal memories.

An in-depth look at the race to develop, manufacture and distribute a vaccine for Covid-19 - which may be the most monumental scientific achievement in modern history. Interviews with some of the main players take you inside the real-life drama as it unfolded.

Thanks to DNA, this documentary establishes the identity of Marilyn's biological father, thus revealing her new paternal family, 60 years after the icon's death.

The bride and groom kiss at the wedding hall. Not all the guests are wearing masks. A, who is in a field of film, reckons it strange, and then B, a friend of A, tells him the pandemic has been completely over and asks A how could not know it. At that moment, A wakes up from his dream. The situation never ends up, and the world heads toward an unpredictable future for a new life.

A 19-year-old high school graduate travels through Australia as a backpacker and accompanies his adventure with a camera.

Due to the measures taken by the government, students have fewer and fewer prospects for a meaningful future. Life is on pause and society is kept in fear. The confidence in a bright future is gone. Even after 18 months, there is still no light at the end of the tunnel. The many promises have not yet changed this situation. In this moving documentary, young people give an idea of the impact of the measures on their lives. Is there still hope or has the damage already been done?

The director follows her family through three different lands, speaking and eating with her grandma along the way

At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.

Evan, a filmmaker from Mississippi, catches feelings for a gal he meets at a found footage film festival in San Francisco. They decide to make a movie together, exploring the haunted landscapes of Evan’s family history in the swamplands of Florida. Old wounds are reopened and generational trauma reveals itself to be perhaps the scariest part of this attempted mockumentary that ends up being a little too real.

The life of a female weaver is thrown onto the socio-political canvas of pre-war and post-war communist Poland through the use of expressive allegorical and symbolic imagery in this imaginative take on the documentary form.

A thoughtful exploration of gypsy culture, an intimate portrait of flamenco guitar player Yerai Cortés and a healing family exorcism through music. Antón Álvarez (aka C. Tangana) makes his filmmaking debut with this documentary.

The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.

A short animated documentary featuring archival recordings of the filmmaker's Volga-German Great-Great-Grandmother, Mary Frank Lind, in which she recalls key memories of childhood—her father's windmill, warm rains, wolf sightings, bone trading, and her passion for carpentry, which broke gender norms but was supported by her father.