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Young members of 3 New Orleans school marching bands grow up in America's most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.

The Baselstrasse is a street in Lucerne. People call it "Rue de Blamage" – it's a noisy street tucked into a narrow space between a hill and a train track. The people who live here don't usually mingle with the rich and famous, but even the roughest haunt can be a home to those who live and work there – and Baselstrasse's two kilometers of asphalt are no different.

Since the fall of Saigon in 1975, Vietnamese refugees have built the largest Vietnamese community outside of Vietnam, in Orange County, California. In 1999, "Little Saigon" burst onto the national stage when a store owner displayed a poster of Ho Chi Minh, triggering protests by Vietnamese Americans struggling to reconcile their past demons with their present lives. Saigon, U.S.A. uses this moment to examine this community's changing identity and growing empowerment.

An event organised by CND pits the bomb against poetry. Hear artists who hoped that words and rhymes could put an end to destructive times.

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).

Sundance award-winning director Julia Kwan’s documentary Everything Will Be captures the subtle nuances of a culturally diverse neighbourhood—Vancouver’s once thriving Chinatown—in the midst of transformation. The community’s oldest and newest members offer their intimate perspectives on the shifting landscape as they reflect on change, memory and legacy. Night and day, a neon sign that reads "EVERYTHING IS GOING TO BE ALRIGHT" looms over Chinatown. Everything is going to be alright, indeed, but the big question is for whom?

In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years – until they are chased out and forced to adapt to life in the big city.

You don't have to travel to faraway countries to observe wildlife, because the fauna of the big city also provides surprises every day. Contrary to expectations, many bird, mammal and insect species have adapted to the concrete jungle. They have become experts of the urban space. “My Wild Neighbors” takes a poetic look at the lives of animals in the city.

Lacey Schwartz grew up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity - despite the open questions from those around her about how a white girl could have such dark skin. She believes her family's explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different. At age of 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but a black man named Rodney with whom her mother had had an affair.

This documentary is a portrait of Point St. Charles, one of Montreal’s notoriously bleak neighbourhoods. Many of the residents are English-speaking and of Irish origin; many of them are also on welfare. Considered to be one of the toughest districts in all of Canada, Point St. Charles is poor in terms of community facilities, but still full of rich contrasts and high spirits – that is, most of the time.

This documentary explores the complexities of Los Angeles. Blending a highly structured montage of shots exploring the city with interviews of students, the writer Henry Miller, and residents from all communities, this evocation of Angelenos' city paints a portrait of a living, constantly evolving entity.

Although set in the southern Netherlands and Belgium, the story draws from murders that began in Moscow Oblast, Russia, in 2014. Fedorov, a young man of Russian descent orphaned and raised by his uncle, graduated from a technical university near The Hague but, afflicted by worsening somatic symptoms, failed to secure work. Returning to Russia under sanctions seemed impossible. He wandered the streets, smoking cannabis and throwing stones at drunks. Within this self-made prison he met Helena, a Flemish girl, on an online forum. She lured him into smuggling soap and chemicals to the black market in Liège. The next month he met Helena and two female accomplices at Liège-Guillemins Station. Yet at their suburban hideout—an abandoned factory—he was forced into his first murder and dismemberment. Only then did he realise he had entered their abyss of crime, irrevocably damned. Where will their fates turn in the next manipulative, large-scale ensemble sequence?

Since the end of World War II, one of kind of urban residential development has dominate how cities in North America have grown, the suburbs. In these artificial neighborhoods, there is a sense of careless sprawl in an car dominated culture that ineffectually tries to create the more organically grown older communities. Interspersed with the comments of various experts about the nature of suburbia

In October 1995, Forbach witnessed one of the most violent strikes in the history of contemporary France. A thousand or so miners took to the streets for a merciless struggle against a reform in their rights. Twenty years after the mines shut down, people’s will to fight is still alive, just hidden away somewhere.