The Making of Damascus Gun Barrels in Nessonvaux (Belgium)

A man ventures out into the streets of a pandemic-ridden London.

Scene from a Trilby-themed stage play. Lost.

This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.

Documentary about filmmaker Jean Grémillon.

Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.

Viktor, who was born deaf, worships the figure of the samurai warrior. When bombs start falling on his countryside home in Kharkiv, his quasi-romantic obsession with war is put to the test.

Documentary exploring why Belgian television doesn't invest more money in Belgian cinema as is the case in e.g. the netherlands.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Made in the sunset years of Paul Bowles’ life, the film sees the eccentric author and composer reminisce on how he ended up in Morocco.