When Kim & Aggie Went To Hospital

A documentary about the corrupt health care system in The United States whose main goal is to make profit even if it means losing people’s lives. "The more people you deny health insurance, the more money we make" is the business model for health care providers in America.

The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.

Naomi Kawase's documentary about Nishii Kazuo, a photo critic. He is the last chief editor for the Camera Mainichi magazine, rushing through his time with Araki Nobuyoshi and Moriyama Daido as provocative artists in the photograph world.

"Welcome to my life", Sylvie Hofmann repeats this sentence almost all day long. Sylvie has been a nurse for 40 years at the North Hospital of Marseille. Her life is running. Between patients, her sick mother, her husband and her daughter, she has always devoted her life to helping others. What if she decided to think a little about herself? To retire? Does she have the right, but above all, does she really want to?

Edeltraut Hertel - a midwife caught between two worlds. She has been working as a midwife in a small village near Chemnitz for almost 20 years, supporting expectant mothers before, during and after the birth of their offspring. However, working as a midwife brings with it social problems such as a decline in birth rates and migration from the provinces. Competition for babies between birthing centers has become fierce, particularly in financial terms. Obstetrics in Tanzania, Africa, Edeltraud's second place of work, is completely different. Here, the midwife not only delivers babies, she also trains successors, carries out educational and development work and struggles with the country's cultural and social problems.

1976: a university hospital in Brussels. Old women gather in a common room. Sick? Perhaps. Lonely, above all. The film is also the perspective of a North African woman on other women, nurses and patients. The medical staff discuss their working conditions, and the filmmaker questions, challenges and bears witness to what she sees in this ‘death ward’. Another illness. Unclassified. A very malignant tumour. A tumour that proliferates in a society ‘proud’ of its social security system but which creates a ghetto of the unproductive, the ‘left behind’, the elderly who hurt themselves by contemplating their loneliness in a hospital ward.

Focuses on the state of the Quebec health system in the early 1970s. This film reveals the harsh reality of emergency rooms. There, medical teams, facing a serious shortage of staff, are facing a real invasion of patients. The technical means, often insufficient, make the task even more difficult.

This 1959 documentary short is a frank portrait of the daily operations inside the Montreal General Hospital’s emergency ward.

This documentary film includes never-before-seen footage and exclusive interviews to tell the story of Charity Hospital, from its roots to its controversial closing in the wake of Hurricane Katrina. From the firsthand accounts of healthcare providers and hospital employees who withstood the storm inside the hospital, to interviews with key players involved in the closing of Charity and the opening of New Orleans’ newest hospital, “Big Charity” shares the untold, true story around its closure and sheds new light on the sacrifices made for the sake of progress.

A historical documentary documenting the rise, function, and abandonment of a 17 story building that once housed The Rochester Psychiatric Center. This film tells the story of the building through historical footage, interviews of former staff and patients who recount their memories of the behemoth facility while also exploring the abandoned building as it is today.

Phases of Matter follows living and inanimate residents of a teaching hospital in Istanbul, moving from the operating room to the morgue, between life and other states, the real and the virtual.

A documentary with some fictional scenes that focuses the attention, more than on hospitalized children, on the human dynamics that are established in their families. Shot in the Oncohematology ward of an Italian hospital, the movie follows the life of some young patients being treated, alternating interviews with their relatives and hospital staff.

In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.

When Covid-19 hit New York City in 2020, filmmaker Matthew Heineman gained unique access to one of New York’s hardest-hit hospital systems. The resulting film focuses on the doctors, nurses, and patients on the frontlines during the “first wave” from March to June 2020. Their distinct storylines each serve as a microcosm to understand how the city persevered through the worst pandemic in a century

Charlie Cullen was an experienced registered nurse, trusted and beloved by his colleagues at Somerset Medical Center in New Jersey. He is also one of history’s most prolific serial killers, with a body count potentially numbering in the hundreds across multiple medical facilities in the Northeast.