Narciso

Can an adolescent experience define our perception of love? Can or should everything be connected or have a reason? A character recounts to his niece or nephew, in the form of a confession, an event from his adolescence that defines his particular way of perceiving love. While this exercise serves to tell a story that, regardless of genre, has surely been experienced by more than one person, it expresses the director's idea that discourse can sustain a work on its own, even if what is depicted on screen appears to have no connection.

Using footage filmed in Peru in 1950 by a foreigner, Víctor writes a letter to his son to question the country he will inherit: among heartbeats and ruins, he searches for a hope that still endures amid disillusionment.

Growth is beautiful, and often progress, too, but if it's not measured, growth can be predatory. Made using the principles of essay film, and using an anonymous character, this film chronicles and critiques how provincial cities grow, change, and gradually lose their identity.

In this video essay, the filmmaker reflects on the contrast between himself and the space around him, a student dormitory.

Complex and intriguing Turkish drama about revenge killing. A young woman who went into hiding from her family talks about her life in a documentary. An uncle who sees the film in Germany won't let it rest .

A boy and a girl fall in love. But on the night they met, she was drunk and stoned and he took advantage of her. Although she does not remember almost anything from that night, she remembers something that may compromise their relationship.

John Shilcott, a member of the English Parliament, a nervous, sickly man, has long since lost all energy for work, and only at times the increasing doses of morphine, which he injects into himself, give him the illusion of an influx of vitality. In his family life, too, not all is not well: over the past three years, he has become estranged from his wife, there is no spiritual closeness between them, and Ava Shilkott begs her father to help her get a divorce...

A muslim couple opens a butcher shop in Montreal and wishes to successfully integrate into Quebec society. But the butcher's father is an imam who sets up a little mosque in the back room and uses it to spread his fundamentalist views. When he is arrested by the RCMP on suspicions of past terrorist activities, his son, torn between love for his wife and allegiance to his father, gets involved in a plot to free him. Fed up by her husband's unwillingness to stand up to his father's wishes, the butcher's wife leaves to live a more fulfilling life away from the muslim community.

In a remote village in the mountains, Yzza is still waiting for the monthly package of medicine that her husband Hossein sends to treat their daughter. Failing to have the medicine being a matter of life and death, Yzza decides to go to Casablanca to fetch it. Without a proper address and with little money in her bag, this inexperienced, religious, naïve woman does not even fathom that Casablanca is an enormous metropolis, very far from her little rural village. Yzza’s bag is stolen and in her misfortune Yzza meets a young woman, a prostitute wanted by the police. From adventure to adventure, Yzza discovers the workings of an absurd society where her sensible codes are pushed and shoved. Director Naoufel Berraoui skillfully knits the portrayal of a city swarming with cars and people with the dramatic lives of his characters. A remarkable cast directed with sensitivity in a poignant drama with documentary-like accents.