Khaled

A young mouse named Fievel and his family decide to migrate to America, a "land without cats," at the turn of the 20th century. But somehow, Fievel ends up in the New World alone and must fend off not only the felines he never thought he'd have to deal with again but also the loneliness of being away from home.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.

I’ve never flown without having an overweight suitcase. This film explains why.

Gabriel, Bobby and Costa are old friends from Altona, a multicultural hood in Hamburg. Just out of prison, Gabriel wants to turn his back on crime, but the others continue to operate as petty criminals. Friendships are tested as the trio navigate a dark world of mafia bosses and deals gone wrong.

Deep in the lush river jungles of Argentina, Alvaro lives a solitary existence fishing and harvesting reeds. What sets him apart from the rest of his village is that he is gay. There are no other gay men in his world, his only means of expression is with the occasional outsider who passes through. Most of these men come via the river taxi El León, whose captain El Turu is a mean man with a homophobic streak and a secret. When illegal loggers appear in the jungle El Turu accuses Alvaro of aiding them, a dispute which leads both men towards confrontation.

Urban horticulturalist Brontë Mitchell has her eye on a gorgeous apartment, but the building's board will rent it only to a married couple. Georges Fauré, a waiter from France whose visa is expiring, needs to marry an American woman to stay in the country. Their marriage of convenience turns into a burden when they must live together to allay the suspicions of the immigration service, as the polar opposites grate on each other's nerves.

Two people flee from the city of Toronto which is overrun by the living dead, caused by a massive epidemic.

A college professor travels to New York City to attend a conference and finds a young couple living in his apartment.

A young Pakistani Briton manages a rundown laundrette with his lover while dealing with tension in his family, the local Pakistani community, and a persistent mob of skinheads.

When Michael Wiseman finds himself thrown out of his wealthy Toronto family home for abusing drugs, he proceeds to fall into a lonely, drug-laden personal nightmare accompanied by a sleazy drug dealer and a hooker from Parry Sound.

In this drama that was a UCLA student thesis expanded to feature length, two African-Americans come from Tennessee to Los Angeles. The man will not marry the woman as he has just been released from prison and cannot commit himself. He ends up working in a factory, while she gets a job as a maid. The two split up after he gets involved in a strike. She goes to school but ends up laid off from a good paying job. Later the two meet again. Both are surprised by the great changes in their lives since they have been apart.

Louise is a professional photographer and very successful in her job. But her father who had disappeared for many years resurfaced. He is very sick and would like to see his three daughters again. At the request of her father, Louise hesitates and then slips away. The reappearance of his father poses problems even in her life as a couple.

Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.

In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.