Palestine, Another Vietnam

How mass protests on the Israel-Gaza border led to one of the deadliest days in a generation. One year later, a moment-by-moment investigation, drawing on exclusive interviews in Gaza and Israel and videos of the protests and bloodshed.

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

Writer-actor Aaron Davidman embodies seventeen different characters in and around the sacred city of Jerusalem as he takes us on an eye-opening journey into the heart of the Israeli-Palestinian story. Exploring universal questions of identity and human connection, the film is about one man's effort to embrace a multiplicity of conflicting viewpoints, chronicling a brave exploration of the complex humanity at the heart of one of the world's most troubling conflicts.

An examination of Israel and its society after many months of war, seen initially through the prism of viral social media posts - and exclusive interviews with the soldiers behind them. These posts, some shared millions of times, show soldiers humiliating bound Palestinians, ransacking their homes, joking as they detonate schools and whole districts, and laughing as they launch high explosive ordnance into densely-packed areas. The award-winning team behind this Basement Films production traveled to Israel to interview some of these soldiers, who proudly defended themselves and their videos, some expressing callous disregard for Palestinians in Gaza. Through additional interviews with Israeli radical groups, politicians, and media figures, the film reveals Israeli Jewish society in the aftermath of October 7th, gripped by a vengeance and hate that puts into question any possibility for peace.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

Archival film maestro Göran Hugo Olsson has assembled—from a vast catalogue of footage in the vaults of Sweden’s national television service SVT—accounts of the Israeli-Palestinian conflict as witnessed and represented by Swedish journalists. Stories of the beginning of the Israeli state interwoven with the Palestinian struggle for independence. News coverage with Yasser Arafat and interviews with Israeli foreign minister Abba Eban during a visit to Sweden unseen since first broadcast. From the tenth anniversary of Israel’s founding to the First Intifada, perspectives and encounters with statesmen, civilians, revolutionaries, and intellectuals tell the story from myriad angles of an evolving media landscape, revivifying a history of the ongoing conflict.

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

Bisan Owda, journalist and influencer collaborator of the media AJ+, is at the forefront of reporting by filming with her phone, the daily life of Palestinians to the world since October 7, 2023, the start of the war and devastation from Gaza. Owda's storytelling style and resilience have captured international attention, with his work widely covered by international media. She received an Emmy Award in 2024 for her outstanding coverage of the ongoing conflict in Gaza.

A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.

Amid the ruins of northern Gaza, Ibrahim clings to the only companion he has left: Farfour, a stray cat he adopted during the war. Farfour has become more than just a pet for Ibrahim. He has turned into his shadow, his confidant, his last connection to humanity. Together, Ibrahim and Farfour navigate a collapsing world, enduring a relentless siege while living in an unsafe building, with no water and electricity. As the war tightens its grip, Ibrahim must flee.

Gaza Fights for Freedom depicts the ongoing Great March of Return protests in the Gaza Strip, occupied Palestine, that began in 2018.

This deeply affecting documentary follows a small number of Israelis and Gazans through the most dramatic and tragic year of their lives. Using personal and previously unseen footage, it tells the story of the war in Gaza and the October 7 attacks through deeply emotional stories from both sides of the conflict. In Gaza, the film follows three individuals from reaction to the October 7th attacks to the start of the bombing by the Israeli military and to the loss of family members that all three suffer. In Israel, we witness footage of the Israeli characters, as they and their family members are attacked by Hamas on October 7th and then follow their stories through the year.

Letter to My Tribe started with a question: Why don’t more Jews and Israelis speak out about Palestine? Over many years my mother, who represents a more messianic perspective, and I have had numerous arguments, some recorded, some not. These form the backbone of this video essay in which Israelis and Jews, journalists, activists and a rabbi are interviewed, and in which documentation of actions on the ground, in the West Bank, are woven with more personal family histories and journeys to Iraq and to Poland.

In July 1988, Mizue Furui was in the Gaza Strip and West Bank with her camera as a rookie freelance journalist. Covering the Palestinian condition, she became acquainted with Ghada Ageel, a 23-year-old teacher at an elementary school, in November 1993 and started shooting her life up to when she turned 35. The 12 years Furui spent shooting still and video images has borne fruit in a documentary titled "Ghada -- Songs of Palestine," which will be released in Uplink Theater in Shibuya Ward, Tokyo, in May as a rare report on women in the traditionally male-oriented Palestinian society.

Montage film by Aymeric Caron, broadcast at the French National Assembly on May 29, 2024. “Is it a dream or a reality? » demands a little girl stunned by her injuries. It is a nightmare, without a doubt, and nothing can justify it, neither the crimes of October 7 nor the detention of Israeli hostages by Hamas. Condemning all the crimes of October 7, before and after, condemning anti-Semitism and all forms of racism is common sense. However, it seems that this needs to be clarified. Everyone present normally wishes that the surviving hostages can one day be reunited with their families and that the massacre in Gaza stops immediately. But to follow through with the process is to see things face to face, to see what has been happening in Gaza since October 7, what the Israeli army is doing, what the television channels are not showing.