#MladiPitajuPoliticare

Dramatization of the time around the first Danish Social Democrats and the Battle of Fælleden. A social blockbuster produced for AOF.

Two immigrant filmmakers journey across the US, exploring American identity through raw encounters on politics, race, immigration, and gun control. The film offers an unflinching portrait of America, unveiling hope for our common humanity.

Based on her book of the same name, Naomi Wolf presents controversial evidence that America has begun a frightening descent into dictatorship and fascism. American democracy, as we know it, is under attack. By examining the chilling parallels between the current state of our nation and the ascent of dictators and fascism in other once-free societies, Wolf urges viewers to open their eyes to the horrors that lie ahead. From the increased use of paramilitary groups to the construction of secret prisons and the targeted suspension of the rule of law, the warning signs are all there for people to wake up and finally take notice.

Kim Chang-in, a self-proclaimed ‘democratic socialist,’ and Kim Hyun-jin, who calls himself an ‘extremely centrist person,’ are ordinary young people in South Korea. While Chang-in became interested in politics because he was angry at the sight of bleeding workers at the Ssangyong Motors strike, Hyun-jin was angry at tax money being wasted on populist policies such as minimum wage and work incentives and decided to go into politics.

This film is an uncompromising portrait of a woman who no-one could have imagined in a position of power a few years ago . A look at the woman and, through her, at the party that continuously raises concerns and stirs up the media.

In 2017, twenty years after the British handed over Hong Kong to China in 1997, young people, more politicized than any previous generation and proud of their land, do not feel Chinese and actively fight against the oligarchs who want to subdue them to China's authoritarian power.

Fabiana, Carlo, Claudio and Vincenzo… I met them in 1982 in Mercatale, their village in Tuscany, near Florence. They were aged between 25 and 45 and were cheerful militants in the Italian Communist Party, that strange party which has made its mark on history and which was both a school and a family for them. I have filmed in Mercatale every two or three years for over 20 years (1982/2004). The fi lm takes the “long view” of their political and personal development against the backdrop of village life. Stories with both human and political interest spanning over a quarter of a century with relevance for present day issues: what has become of the plans to change the world in Berlusconi’s Italy? From a more global perspective: what else can politics do? When the time comes to take stock the paths of their rich and varied personal lives cross once more with all their doubts and allegiances.

A short film following the release of journalist and activist Barrett Brown from prison, and his drive across Texas to a halfway house. 'Relatively Free' is an examination of Brown's return to a very different world, post the election.

On the 14th of November 2020 the Polisario Front considered breaking the ceasefire calling on the United Nations to intervene and declare a 'state of war' throughout the territory in response to an attack commited by Moroccan forces the day before. On the early morning of thursday to friday the 13th of November, at the border crossing of Guerguerat, Moroccan forces took action to expel a group of around 50 Sahrawi civilians who were, since the 21st of October, blocking the connectiong road with Mauritania in order to demand that the United Nations hold a referendum of autoindependence as was promised in 1991. In this short documentary the situation of the Sahrawi people after the events of the 13th of November is explained.

In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

Paul Robeson: Here I Stand presents the life and achievements of an extraordinary man. Athlete, singer, and scholar, Robeson was also a charismatic champion of the rights of the poor working man, the disfranchised and people of color. He led a life in the vanguard of many movements, achieved international acclaim for his music and suffered tremendous personal sacrifice. His story is one of the great dramas of the 20th century, spanning an international canvas of social upheaval and ideological controversy.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.