El rey del bandolín

The Fania All Stars perform for 44,000 fans at Yankee stadium in New York. Besides concert footage, there's also included a history of Salsa, and vintage film clips of Hollywood's portrayal of Latinos in movies during the 1930's and 40's.

Danny Ocean wants to take his fans to a tropical paradise where they can relax and feel good about the music of his album “Babylon Club.”

To some, Doña Cecilia is an invisible, elderly woman. For others, her presence validates their existence. This movie on children's civil rights shows how borders are transformed into bridges by the power of unconditional love and music.

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

In this Concert he focuses on the star and most important defender of bachata, the Dominican singer and songwriter Romeo Santos, and his concert on September 21, 2019 at MetLife Stadium in East Rutherford, New Jersey, which broke attendance record . Romeo took advantage of this event to bring together, for the first time live, all the legendary bachateros with whom he collaborated on his acclaimed album Utopia (2019), to the delight of the public who sang his favorite hits.

Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.

Valuable testimonies, unedited images and Billo's iconic music depict his life from 1937 and throughout the following five decades, during which he immortalised Caracas' current affairs, public figures and historical landmarks in his musical arrangements.

A compelling story about Grammy-winning Venezuelan funksters Los Amigos Invisibles, from their early days playing in Caracas, Venezuela, to being discovered by David Byrne of Talking Heads and their rise to international stardom. The viewer experiences their story as it intertwines with a live performance filmed at the Highline Ballroom in New York City in March 2011. The band, with the same original 6 members, celebrates 20 years in 2011.

Trade union leader Manuel Taborda, a pioneer of workers' organisations in the oil industry, recounts his experiences and those of his colleagues from 1920 to 1936, with an emphasis on the struggles against foreign companies and the government.

It’s the final school year, and with it comes the long-awaited graduation trip to Uruguay, the last chance for everyone to be together before each one goes their own way. The story follows six teenage friends as they experience the first sparks of love and heartbreak, all while expressing a passion for music, tropical vibes, and Latin culture.

In its heyday, Changa Tuki, aka Raptor House, attracted thousands of young people to afternoon parties called "matinees", from those parties a controversial subculture grew, one that still echoes to this day. This is the story as told by its protagonists.

The San Francisco Foundation Community Leadership Awards presents John Santos, musician and cultural activist, with the Helen Crocker Russell Award for making music that transcends cultural barriers and serves as a tool for social justice. As an educator, scholar, performer, and composer, he celebrates and promotes Latin music and understands that art has the power to inform and nurture.

Through humor, anecdotes and their songs, mythical Venezuelan ska band Desorden Público tells their story and that of three decades of their country.