Fatty and Mabel at the San Diego Exposition

In Midnight Madness millionaire diamond miner Michael Bream (Clive Brook) discovers that the woman he’s marrying — funfair shooting-gallery hostess Norma Forbes — is a gold digger. So Bream decides to teach her a lesson, and forces her to live with him in the remote African outback where, eventually, she realizes her true affections.

Sam the white-washer pines for the affluent Lindy, but she has dumped him in favor of another. Sam finds a large sum of money, and goes to New York to enjoy a shopping spree, buying new clothes, jewelry and a car with a driver. Back home, Lindy flips for Sam and his newfound wealth, and dumps the rival. Sam throws an engagement party where he indulges in a friendly game of cards with his former rival and another man, who unbeknownst to Sam, is a card shark.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

Honey Skinner is proud of her successful husband. When he tells her he's going to ask for a raise, she knows he'll get it. He asks his boss just as their big client announces he's not renewing his contract. He doesn't get the raise, but he's too embarrassed to tell his wife the truth. She starts making plans to spend that extra $10 a week; the first thing is a new dress suit for him and a new outfit for her so they can fit in at a swanky party. They're the hit of the party, and Honey is embraced by the 'smart set.' Meanwhile, business is bad and Skinner loses his job. The tailor is after him for payment on the suit, and Honey is still spending the salary he doesn't have.

Spanish silent comedy based on Armando Palacio Valdés' novel. It was the first film starring Imperio Argentina.

Passing Through is a 1921 American silent comedy drama film, directed by William A. Seiter and written by Agnes Christine Johnston, and Joseph F. Poland.

The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.

Thinking it is a worthless trinket, Dorothy trades her husband’s prized Aztec idol to a street peddler in exchange for a beautiful silk shawl. She soon discovers the idol is actually an extremely valuable artifact. Desperate to retrieve it before her husband notices, she learns that it has already been purchased by their neighbor, an artist named Cambridge. Dorothy enters Cambridge’s apartment to recover the idol secretly. Her efforts lead to a series of comedic misunderstandings and frantic situations as she tries to protect her marriage and her husband's property.

A young man fakes his identity to impress a girl.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

A tramp enters a cabaret and orders a drink, but then is thrown out when he cannot pay for it. After trying again, he is told by the manager that if he wants to avoid being charged and sent to jail, he will have to work.

A silent black comedy, about the monetary needs of a character & how it impacts the others. A young, unemployed graduate Mahadev’s struggle to land a job through any means possible and crosses paths with a businessman and petty thief. A subject wherein silence speaks much louder than words. Although a work of fiction by the writer, all the characters in the film are sketched out to seem very real and relatable ensuring an enriching journey as well a laugh riot as the cat and mouse guffaws amongst them unfold. Gandhi Talks aims at telling a story by switching off the device of dialogue, which is not only scary but also interesting and challenging.

The Tenant continuously fails to escape his deadly apartment within a 5 minute time limit as his blood-thirsty neighbor threatens him from behind the front door.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

The cyclist is dispatched upon an important errand, and his humorous and alarming adventures by the way form the subject of this series. Misadventure follows misadventure with great frequency, but the cyclist comes up smiling every time, mounts his machine, and again resumes his journey. Accidents which would maim or kill an ordinary mortal serve only to spur him on to fresh exertions in a mad search for physical inconveniences and dangers, which always present themselves. (Picture World)