Mothers Who Kill their Children

A documentary that follows Michelle "The Karate Hottie" Waterson as she balances life as a mother and professional MMA fighter.

In a village in Thailand, Pomm works in a care center for Europeans with Alzheimer's. While she is separated from her children, she helps Elisabeth during the final stages of her life, as Maya, a new patient, is on her way from Switzerland.

Tatiana faces an economic crisis that has forced her to be temporarily away from her kids, her "gang", as she calls them. By writing out her feelings and covering her wall with pictures of the kids, Tatiana opens her heart from the loneliness of a rented room in Bogotá. While she attempts with determination to let her kids know that, despite the circumstances, she is still there for them.

Through the process of sorting their family garage, alienated sisters Mila and Eloise face their differing childhood experiences, re-discovering their friendship, to address their current realities.

Twenty-one-year-old Julia had to leave her daughters under the care of a children's shelter house. Five years later, Julia keeps fighting to rebuild her life and get reunited with her daughters.

This film explores the complexity of female infanticide in southern India and shows steps that are being taken to eradicate the practice. Every year in India thousands of baby girls are killed. Partly because of the dowry system which makes a daughter a liability to a family. In a country where being a woman means living a life of hardship, the murder of female infants may be seen by the mothers as being a humane solution. URISE, a non-governmental agency, is working in the villages to promote the idea among women that female children are equal in the eyes of the law and can be an asset in the family, setting up associations called sanghams to support pregnant women and mothers in their decision to keep their daughters. When a girl is born, the sanghams celebrates her arrival with gifts, showing that a girl is something to be valued. This sensitive film does not dwell on the horrors of the practice. Rather, it allows the women to speak for themselves showing how they can be empowered.

Our heroine juggles her chaotic #momlife and blossoming Mommy Vlog. Walking the line between her real self and her social media personality, she and her husband get a surprise–she is pregnant. Again!

Lebanon, Mother's day. Joey (20 years old) is preparing a surprise diner for his mom who is always abroad. but today is a special day because she is here, but not willing to stay till the evening, until they celebrate. Tortured with the idea of her leaving again, Joey tries to convince her mom to stay. But the mother is here for another reason: pushing her son to tidy his house and to accept change.

Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.

The late Len Bias still leaves more questions than answers. When Bias dropped dead two days after the 1986 NBA Draft, he forever altered our perception of casual drug use and became the tipping point of America's drug crisis in the mid-80's. Future generations continue to face the harsh punishment of drug policies that were influenced by the public outcry after his heartbreaking death. Instead of becoming an NBA star, he became a one-man deterrent, the athlete who reminded everyone just how dangerous drug use can be. Amazingly, questions still linger about his death nearly a quarter-century later. How good could he have been in the pro ranks? Has he become underrated or overrated as the years pass? How could a University of Maryland superstar and Boston Celtics lottery pick be derailed by a cocaine binge? Was Bias a one-time user as we were led to believe, or was there a pattern of recreational use that led to his fatal last night? Did he fall in with the wrong crowd.

Filmmaker Maarten de Schutter attempts to reconstruct the lost memories of his mother, AIDS activist and feminist anthropologist Martine de Schutter. Ten years after she was killed by Russia in the Donbas War, Maarten tries to assemble what’s left behind of her life and their shared past.

A dream-like exploration of the interconnected lives of two women and two children, celebrating the profound moments of love, loss, and resilience that shape the tapestry of womanhood. Set to the backdrop of Sidama's coffee-growing hills, 'Amakki', meaning 'your mother', captures the intricate threads that bind these women to the land, to each other, and to the unspoken essence of motherhood. The language spoken in this film is Sidaamu Afoo.

"Octopus Heart" is a poignant documentary examining the link between emotional trauma and Takotsubo Syndrome. Following Anastazija Zivanovic's life of profound loss and adversity, it reveals how our emotional struggles shape our physical health, inspiring awareness, and resilience.

A mother discovers that her son has a disability that causes her breast milk to intoxicate him. But the discovery comes too late to prevent the loss of neurons.

Zhang Ziyi plays the youngest of three generations of women who leads lives in Shanghai. Joan Chen plays the great-grandmother, grandmother, and mother. The film recounts this family, the mistakes they make, and a cycle that the granddaughter breaks out of.