Mama Illegal

After the recent loss of his wife Angèle, grandpa René tries to stay positive, finding comfort in simple joys like his cacti and cat Musti—but the weight of impermanence lingers.

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

A documentary film about nothing but footage of things that make a person's life. A young man films short scenes in his home before moving out.

Light Upon Light: A Documentary on Hijab is an intimate and deeply personal exploration of the diverse, raw, and untold stories of hijabi women. Through open and vulnerable conversations with 7 women, the film dismantles stereotypes, highlights the challenges imposed by society, and celebrates the profound beauty of the hijab beyond a mere clothing choice. It captures the individuality of each woman’s story—how they came to wear the hijab, the struggles they’ve faced, and the strength they’ve found in it. More than just fabric, the hijab is a journey, often misunderstood, and influenced by the way the world perceives it. By amplifying voices that are often unheard, the documentary creates a space for empathy, challenges misconceptions, and invites a deeper understanding of what it truly means to wear the hijab; inspiring everyone to see hijab in a new light.

In a world where farming is mechanized and farm animals are fed with products coming from across the globe, a young shepherd is trying to keep his practice sustainable by using ancestral ways to raise his flock.

Details fade from the mind, just like memories. Clarity in memory becomes blurred, and our bodies are the marked spaces once inhabited by others. When nothingness becomes memory, what do we remember? Reflecting on the past, present, and future, different bodies will connect, sharing their feelings and emotions through touch. Skin, with its textures and uniqueness, becomes the link to the absent other, and in the need for details, we seek to remember what has been forgotten.

A engaging and exotic man–nature documentary that is sure to capture audiences in many countries. Beautifully filmed by Peter Gerdehag and sensitively edited by Tell Johansson. He lives for horses, he lives with horses, he works with horses and he just about dies when he is forced to leave his horses because of a storm that turns his life upside down.

Three episodes of the unfinished series commissioned by the now-defunct Corporation for Public Broadcasting, examining how and why people fail to make meaningful connections in the early 21st century. Hosted by amateur filmmaker Kurtis Matthew Russell who was given a budget of 5 dollars.

During the rice sowing season, Jun, a young Catalan of Chinese origin, works as a seasonal worker in the Ebro Delta. This ancient labour will make him confront his own roots and the distance that separates him from his family.

In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.

Hansel's grandfather's wife died. They have lived together for over fifty years. For three years he has been living alone, cannot find a place for himself and constantly misses her.

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.