Mindscape

This animated puppet film based on Russian folk tales tells the story of the hero Svätohor and his battle with the dragon Goryn Gorynych.

Tux and Fanny are back and they’re looking for a new home. Come along as they discover VHS tapes hidden under beds, forgotten statues in the desert, and brain biting ladybugs. Will they find a place to call their own or are these two friends destined to roam the land forever?

A bar joke goes awry, unraveling into a surreal tale that explores the acceptance of self, others, and queer identity.

This special has the band hiring a slick-talking new manager in an attempt to make a comeback. Under his guidance, the Raisins try their hand at various new musical genres, including Disco Polka, Country Rap, and Demolition Rock, to humorous effect. The group's troubles begin to manifest, however, upon the replacement of singer A.C. with their manager's young protégé

WE DRINK TOO MUCH. An unapologetic take on the vicious cycle of earning too little and consuming too much. Part of NAKED ISLAND, 15 super-short and incisive films created by some of Canada's top animators. Framed as “Public Service Alerts,” and produced by the National Film Board of Canada, this series blends the art of animation and advertising to promote self-reflection by dissent, satire and wit.

Based on episodes of the series "Moomin Stories", the Moomins reminisce about the fondest moments of their lives. Moominpappa reminisces about his childhood; Moomintroll reminisces about how he, Sniff, and Snufkin set out to find out if Earth was truly threatened by a comet; and Moominmamma reminisces about the incredible visit of aliens from outer space.

The film tells the story of the Moomin family's preparations for winter and their hibernation, interrupted by unexpected events: the appearance of the mischievous Nibling, a visit to Too-Ticky, who lives by the sea, the adventures of Little My, rescued by Moomintroll, the exploits of the Hemulen, a sports enthusiast, and so on. The story ends with the arrival of spring, the awakening of all the inhabitants of Moominvalley, and the return of Snufkin. The film is based on episodes of the television series "Moomin Stories".

Inspired by the poem Hamza by the great Palestinian poet Fadwa Tuqan, compares and connects the mystery of the fertility of the Palestinian land to the mysterious power of it's women.

Malice comes up abruptly. As if it is blinking. Capricious like a flapping insect. One day the boy finds a winged insect and crushes it out of disgust. Meanwhile, the elephant sees the whole situation but says nothing. From that day on, the boy is chased by shadows of the winged insects.

A change in her husband’s scent sends Anne spiraling into a late-night existential crisis.

In 1862, a grieving Abraham Lincoln visits his son Willie's grave, sparking a supernatural moment where ghosts in the "bardo" must help the boy move on before he is trapped forever.

An animated film based on one of the renku (collaborative linked poems) in the 1684 collection of the same name by the 17th-century Japanese poet Bashō. The creation of the film followed the traditional collaborative nature of the source material – the visuals for each of the 36 stanzas were independently created by 35 different animators. As well as many Japanese animators, Kawamoto assembled leading names in animation from across the world. Each animator was asked to contribute at least 30 seconds to illustrate their stanza, and most of the sequences are under a minute (Yuriy Norshteyn's, though, is nearly two minutes long).

He’s full of juicy flavours. You’ll never get enough, if you let him give you... Just. One. Puff. It's a new era and no one is scared of the boogeyman anymore. Unfortunately something much, much worse is hidden under the bed.

The story of a woman who grows her dreamchild in a flower pot. But the perfect motherhood has unexpected side effects.

In this non-narrative animated film inspired by composer François Couperin's harpsichord composition "Barricades mystérieuses," Jacques Drouin explores a whole new way of using the pinscreen to create animated images. He pivots the screen and uses low-angled light to capture images in high relief. The result is like a sculpture whose expertly modelled forms are revealed through film. A film without words.