Hyde Park Corner

In 1892, Ellis Island, in New York Bay, became the main gateway to the United States for immigrants arriving increasingly from Europe. The story of immigration to the United States from 1892 to 1954, an enthralling polyphonic narrative that embraces both small and great history.

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

Sir John Franklin set off from England in 1845 with two ships and 129 men to be the first to navigate the Northwest Passage, a new trade route over the top of the world, when Franklin’s ships vanished without a trace. Now, a team of explorers attempts to solve the mystery by retracing Franklin’s route in search of his long-lost tomb.

An examination of the intimate life of America's most consequential president, Abraham Lincoln. As told by preeminent Lincoln scholars and never before seen photographs and letters, Lincoln's romantic relationships with men is detailed. The lens is widened into the history of human sexual fluidity and focuses on the profound differences between sexual mores of the 19th century and those we hold today.

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

A stationary camera, looking diagonally across a racetrack toward the infield, records the horses as they race past. Once they are out of view and the race is over, police officers run onto the infield. The crowd moves around.

A group of children are encouraged to play in a park by two men. Some play a skipping game. One of the other children refuses and eventually runs away. Another child is fascinated by the camera and stares at it throughout, even when encouraged by one of the men to play. IN the background, traffic passes and pedestrians stroll past behind a railing on an upper level. The children wear sunhats, indicating the weather is very sunny.

Watched by crowds, Sir Redvers Buller, Lady Buller, the Mayor of Southampton and others walk along the gangway leading to the ship towards the camera. Sir Redvers pauses to be introduced to one of the ship's officers before embarking. According to BFI programme notes, the filmmaker William K.L. Dickson can be seen bottom left, attempting to introduce himself to General Buller as he passes. Film companies were in competition to film reportage of the Boer War and Dickson was one of those filmmakers keen to do so.

Spectators on the quayside at Southampton wave farewell as the crowded troopship Roslin Castle moves away to the right of the picture. Large numbers of troops on board wave back to loved ones and the crowd including thr 2nd Battaliion West Yorkshires. Date: 20th October 1899.

An actuality film of traffic and pedestrian movement at the end of a bridge. In the distance on the other side of the bridge, the tops of some large buildings are visible, including a domed building. The location is unconfirmed.

Young boys going into the sea water by Brighton's West Pier in the UK to pick up pennies thrown in by people on the pier.

An actuallity film of a fairground carousel in action. Filmmaker unknown but it has been suggested it is R.W. Paul. The film was made on Hampstead heath, London, UK.

Born into the chaos of the French Revolution, Mathias Loras would come to develop a vision for a state of spirituality in the New World that few dare dream. Brought up in an elegant, bourgeois family he would eventually become a missionary assigned to a remote outpost in the frontier territory of Iowa. There he would sew the seeds of the church to rough miners and farmers, while battling the unending hardships of life on edge of civilization.

Recounts the 40-year history of building the Salt Lake Temple, shown as if recounted by Wilford Woodruff to a young reporter. It portrays the pioneers' dedication to temple worship.

Taken from a motor cab running at full speed along Piccadilly and through the Circus, narrowly escaping collision with various buses and cabs