Today I Will Only Come Home Tomorrow

Apoptosis tells the story of the last living human in the world, after a lethal virus devastates all of humanity; it will accompany both her grief over losing her partner and her inner paranoia about possibly not being completely alone.

Raphael quickly becomes disheartened after getting fired from his former job, but little does he know that a short interaction with a wise friend would soon change his life for the better.

Lucy has a social media channel where she hunts evidence of actual monsters, but it’s not doing great, with just a few viewers following her disappointing posts. Everything changes on Christmas Eve when her camera witnesses Santa getting bitten by a werewolf before he turns lycanthrope himself! As Werewolf Santa starts wreaking bloody havoc in their seaside town, Lucy and her bickering family set off on a madcap adventure armed with a rusty skate and a vague understanding of how to kill werewolves gained from her collection of horror comics. The Beast must die to save Christmas!

Sun Dressed Woman is a short film in experimental animation cinema, which narrates Liah's journey of inner search, which brings into her lived experiences the problems of being and the challenging task of existing. Accessing the memories of other lives and dimensions, she encounters ancestral beings, who help her reunite with her own consciousness.

A meditation on the Moon as a series of spheres melting away. The audio-visuals are synchronized via a repeated glitch process: the same values that databent the visuals are also used to change the base audio samples, creating a translation between a visual glitch and an audible one, even though in the final presentation they seem entirely different.

Strawberry Shortcake: Adventures on Ice Cream Island (2004)

A skilled costume designer struggles to collaborate with an asocial creature actor who is scarily good at playing his monster character.

Our protagonist wakes up, lost and confused in the middle of a place he doesn’t know, looking for answers he doesn’t get. Stop motion adaptation of the Stephen King short story "The Killer"

In the 1920s, female workers in a factory paint fluorescent watch dials. Mollie, the newcomer, makes a mistake that forces her colleagues to work with her through the night. Deprived of the evening ball they were supposed to attend, they end up improvising their own ball in the factory…

Young Hobbit Frodo Baggins is thrown into an amazing adventure when he's tasked with destroying the One Ring, created by the dark lord Sauron. Frodo must travel in a small fellowship of nine warriors and accomplices. But it won't be an easy journey for the Fellowship of the Ring, on the ultimate quest to rid Middle-earth of evil.

Asterix and Obelix depart on an adventure to complete twelve impossible tasks to prove to Caesar that they are as strong as the Gods. You'll roar with laughter as they outwit, outrun, and generally outrage the very people who are trying to prove them "only human".

The children of the Avengers hone their powers and go head to head with the very enemy responsible for their parents' demise.

WE EAT SHIT. An unapologetic warning about how complacent we can be. Part of NAKED ISLAND, 15 super-short and incisive films created by some of Canada's top animators. Framed as “Public Service Alerts,” and produced by the National Film Board of Canada, this series blends the art of animation and advertising to promote self-reflection by dissent, satire and wit.

The exciting adventures of Lion, Rabbit, Cat, and other animal friends. They embark on a journey filled with laughter and wonder to save their world or find something precious. Along the way, they meet mysterious new characters and face various challenges that test the strength of their friendship.

Inspired by Rachel Moseley-Wood’s essay “The Other Jamaica”, Damian Marley’s controversial song “Welcome to Jamrock”, and juxtaposed views of Jamaica via tourism and marginalized Jamaicans. This short animation uses found film of Jamaica in the 1930s-60s to manipulate the camera’s ethnographic points of view.