A guardia di una fede

Football in the stadium: pure emotion and excitement. Thousands united in joy, anger and disappointment. Who gathers there peacefully, and where does passion cross borders?

The Ultras are not ordinary spectators of a football match, but fans who live in a territory sacred to them: the Curva. A sort of non-place that takes the concept of social stratification and subverts it for ninety minutes: the doctor is next to the worker, the craftsman shoulder to shoulder with the lawyer or the “VIP” fan. There are those who struggle to find an identity in everyday life and those who, despite having one, want to lose it at least for the duration of a match. On those steps they are all the same, all brothers, and together they become an autonomous entity within the stadium. For them that sense of belonging is a legacy passed down from generation to generation, from father to son.

Europe in lockdown. Is the corona virus still a threat to the health systems of different nations? Or is it the measures that choke people off? What is the mood like among our neighbors? In this documentary we set off in January 2021. Across Europe. We report from 10 different European countries.

A film about the history of the Metalist Kharkiv football club, created by fans.

In the wake of murder, new Furioza leader Golden claims the reins of his violent and formidable hooligan gang and takes on a new focus across borders.

Why? (Czech: Proč?) is a 1987 Czechoslovak drama film directed by Karel Smyczek. It was screened in the Un Certain Regard section at the 1988 Cannes Film Festival. The film deals with the hooliganism in Czechoslovakia, particularly with the fans of football club Sparta from Prague, whose supporters were the pioneers of the football fan riots in Czechoslovakia, starting with hooligan actions already in the 1960s, like breaking the trains in which they travelled when they went on Sparta's away games. The film deals with one of such episodes

A policewoman makes her ex-boyfriend an offer he can't refuse: either he infiltrates and informs on a gang of hooligans, or his brother goes to jail.

The murder of 13-year-old Yara Gambirasio shocks the little town of Brembate di Sopra, Italy. To bring the culprit to justice, prosecutors have only scant DNA evidence and no database to compare them to. Based on a true story.

Nearly four months after the historically devastating Hurricane Maria hit Puerto Rico, only half of the island has power back. “Candlelight” is a journey through the storm’s aftermath and the events that changed Puerto Rico forever. It’s a heartfelt tribute to the resilience of the Puerto Rican people.

Chelsea Bledsoe and her husband Graig throw a surprise intervention for her old high school boyfriend, Henry, with a mismatched group of acquaintances from back in the day to fill out the guest list.

Documentary about an African-American girl who grows up to help NASA put astronauts into space and bring them home safely. She was one of the main characters in the movie, "Hidden Figures." Includes interview with Johnson.

Laila Paattinen is a working woman. Tired of low-paying jobs, she completed a five-month course in dry-wall installation. Because she had chosen a non-traditional job for women, she ran into resistance in the marketplace. She finally solved her problems by opening her own dry-wall application business. A useful film for women seeking non-traditional jobs.

It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.

An award-winning doc focusing on the idea of "disappearance" in both fascist dictatorships and our own Western cultures.