DEPG Documentary

In 1967, Cuban documentary filmmaker Octavio Cortazar followed a travelling projectionist troupe whose mission was to show moving pictures to rural communities for the first time. Cortazar’s short film documents one audience’s response to its first film: Charlie Chaplin’s Modern Times.

Stations of the Elevated exposes viewers to an underground art scene- that is, one found exclusively on the sides of subways and train cars. A moving portrait of late-70's NYC, the film boasts a soundtrack by jazz legends Charles Mingus & Aretha Franklin.

Georgetown, 1901. A silver-mining town at 8,500 feet near the crest of the Rockies. Hooked somehow to the rear of a four-car passenger train is a camera that pans the scenery and, when the train goes around curves, looks ahead to see the engine and passenger cars: the passengers wave hundreds of white handkerchiefs out of the train's left-side windows for the benefit of the camera. The town comes into view; the tracks are above the town, so the camera looks down on dozens of modest rooftops as it pans the area. (AMB 1901, copyrighted 1903.)

A behind-the-scenes documentary of the making of Contour, an independent martial arts comedy made for only $6,000.

Return to Oz for a fantastic behind-the-scenes journey with this expansive look inside the characters, choreography, and creativity that make up the movie's unforgettable world.

This is as slick a piece of campaign film as ever came out of Hollywood -- barring, of course, the anti-Upton Sinclair stuff turned out as newsreels in the 1930s during his campaign for governor of California. President Coolidge is presented as a simple man of the people who helps his cousin with the haying when he is in the neighborhood, works in the building he was born in and lives in the same house his father was born in: just another fellow like you and me. He runs the nation just about as well as we could.

A short documentary profiling the restoration and anniversary exhibition of the titular 4-4-0 steam locomotive, undertaken in honor of the Centennial of the start of the American Civil War in 1961.

A Documentary film, following a group of friends going through their college life. with 3 months of filming starting in August 25th to November 1st 2024. most of everything was filmed in Boston. the purpose of the movie isn't to look amazing and have great story telling, but instead its meant to stamp a period in time. so that in 50 years we can look back and notice the human growth in a movie format. I hope you like the movie and thank you for watching :)

This documentary is featured on the Limited Edition DVD for Opera, released in 2001.

A documentary filmed between 2016 - 2018 about the Boston DIY music scene, and part of the community that keeps it going.

Nearly 200 years ago, the train revolutionized our lives. It redrew the maps of states and nations, and changed concepts of distance and time like no other invention before. What visionaries imagined the development of the railroad? How did we get from the first chugging locomotives to the smooth giants of speed we see today? How does France's extensive rail network keep running smoothly, 24/7?

Widely considered an important milestone in Indian Architectural history, the Kanade brothers are a testimony of how life and work can coexist with honesty as the fundamental driving factor. The film ‘Kanade’ gives an insight into the journey and experiences of Shankar & Navnath Kanade as architects and teachers.

The super-rich determines virtually every aspect of the lives of the other 90% of Americans. This film examines the hidden struggles of American families, the calculated political maneuvers of the elite, and the long overdue uprising of American workers. With affection for the middle-class and the outrageous attempt to color them as lazy, the film explores the question: How do we make sure workers are paid what they are worth, instead of believing they are only worth what they are paid?

A collaborative video and activism project between long-time community filmmaker Rebecca Garrett and Sanctuary, a church community drop-in, evolves into an unflinching documentary immersion into the world of police and security guard violence against people who are poor, homeless, and racialized in Toronto. 'We have to stop calling the police,' says activist Anna Willats. And the message resonates in dozens of stories collected by street pastor Doug Johnson Hatlem. Stunning testimony, images, and commentary are woven together with unique video of police assaults and previously unreleased footage from inside the 2010 G20 detention centre. Conflict erupts over nonviolent responses to overwhelming police impunity. Meanwhile, the increasing militarization of public spaces forces us all to ask: What World Do You Live In?