A Culpa é do Sol

Slacker duo Beavis and Butt-Head wake to discover their TV has been stolen. Their search for a new one takes them on a clueless adventure across America, during which they manage to accidentally become America's most wanted.

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

When Death wants to bring the plague to Württemberg in 1349, he has not reckoned with the two guard soldiers Volckel and Utz, who engage him in a heated argument about plague ordinances and entry regulations.

From the back rooms of Camden's pubs to the roof of Buckingham Palace at Queen Elizabeth’s Jubilee: the London band Madness enriched British pop music history with their cheeky style and spectacular performances. In this documentary, we look back on their illustrious career with interviews with band members, friends, and music industry figures. Featuring brand new recorded interviews with Suggs and Bedders from ‘Madness’. Alongside interviews with Lynval Golding, Rhoda Dakar, Clive Langer and many more.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)

Meet Ben - he holds a sign for a living, and he loves his job more than almost anything. But today is his last day.

Hannah returns home to face her dysfunctional and emotionally-repressed family after her attempted suicide. Her journey towards healing intertwines with the humorous clashes and unique bonds within the family.

Lester Wink, a door-to-door pet insurance salesman with a phobia of talking with strangers, must make a sale by 5pm, or get fired. He meets Sammy, a widow who is afraid to leave her house, and a friendship is born.

A documentary that explores the challenges that a life in music can bring.

As Pacworlders excitedly decorate for Berry Day, Pac is saddened about missing his parents as he receives a picture ornament of them from his Aunt Spheria. The teens reminisce of their childhood Berry Day as they enjoy Christmas eggnog. Since Berry Day is one of the happiest days of the year, Betrayus launches a plan to get rid of the day by capturing Santa Pac and his Round Deer and to possess the gifts and Berry Day decorations. All Pac wants for Berry Day is to see his parents Sunny and Zac and is overjoyed when they arrive. But, his parents tell him they want to see the tree of life in the secret location which is forbidden. Are these Pac’s real parents or are they a trick from Betrayus and Dr. Slimestein? Let’s hope Berry Day can be merry after all.

A Salesman tries to locate a notorious Mexican bandit.

The scene is a parlor out West, with Ray Mayer sitting at the piano in is cowboy duds - hat, scarf, and chaps. He plays a little barrel-house music and then introduces Edith Evans, who enters wearing fur. She sings - her voice a light-opera soprano - while Mayer plays.

Comedian Chaz Chase performs his vaudeville act.