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Edgar impulsively invites his boss, Mr. Markham, to his home for dinner when his boss compliments him for giving coffee money to a down and out man. At the train station Edgar intervenes, keeping another man from beating a young man named Frankie, and Edgar takes Frankie home with him, even though the stranger warns Edgar that the young man is nothing but trouble.

Edward G. Robinson talks to the audience about the history of gangster films and introduces his latest vehicle.

The majority of the story occurs in the office of Dr. Harper, a psychiatrist, where a man named Lester Billings talks to the doctor about the "murders" of his three young children.

This technically quite well-made cartoon from pre-war Nazi Germany is a commercial (or propaganda piece) for Volksempfänger ("people's receiver"), inexpensive radios. First we see agricultural statistics: the far-away village of Miggershausen is quite below standards in milk and egg production. An anthropomorphic radio undertakes the long voyage by express train, steam train, hay carriage to Miggershausen to advertise its services. It is not well received. Then, it collects and leads an army of radios to try again. They flood all the farmhouses and seem to be more convincing that way - at day, they spread agricultural knowledge to bring milk and egg production up to standards; later, they just play music and illustrate how various people enjoy various kinds of music.

With the spectre of COVID-19 looming, the old ways of waking and burying the dead are fractured and desolate in this curious tale of two bachelor brothers, Pádraig and Éamonn, from Achill Island, living and dying under the shadow of the Coronavirus.

Their last dinner before he leaves to join the Army. The reality of the situation begins to break in through the four surrounding walls.

In a new, predatory ice age, two brothers search for a place to call home.

M.A.M.O.N. (Monitor Against Mexicans Over Nationwide) is a satirical fantasy sci-fi short film that explores with black humor and lots of VFX the outrageous consequences of Donald Trump´s plan of banning immigration and building an enormous wall on the Mexico - US border.

In late 18th century Scotland, Annie Laurie and William Douglas love each other, but their clans are on opposite sides of the country's civil war. Their love is made immortal through the title song of this film.

In this short, the janitor of a Paris museum's Egyptology department agrees to help a girl hide from the police.

'Lost Boy' is an ambitious sci-fi concept heavily influenced by the American action classics and Japanese samurai films. It instantly captures viewers with its highly visual and unparalleled sci-fi world.

Shila met Carlo one night, on a bus. Shila is a collector. She collects stories of scars. Shila is always longing for the existence of a wound. This is a trip Carlo can never forget.

"The Cailleach was dependent on this one thing... every hundred years she must get back to the water and immerse herself so that she might become young again." This film is an interpretation of fragments of the ancient myth of the "cailleach", old hag, otherworld female, mother earth, sovereignty queen, or witch. Told using a large scale puppet and actors moving through real landscape.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).