Romeo and Juliet, From Hate to Love

Caleb, came from a rich family with extraordinary perks in almost every avenue of life, albeit sports, college or his social life. This made him attract girls from everywhere, but surprisingly, he always kept to himself. Until one day.

A TV musical special starring Cheryl Ladd and her guest stars in various musical numbers and vignettes.

This new Christmas ballet film was conceived by Matthew Bourne and directed by his long standing film collaborator Ross MacGibbon. The film celebrates Bourne's power to imaginatively transform ballet, taking dance and dancers off the stage into studio, bringing together projections, animation, and an intimate shooting style to produce a distinctive new way of presenting dance on screen. Those who know Bourne's stage work will spot extracts from many of his biggest hits (including Swan Lake, Edward Scissorhands, and Nutcracker!), but for audiences less familiar with his work this is simply a journey through a series of magical worlds where stories are told through dance.

A young man becomes jealous when his girlfriend wears tight trousers, which becomes the cause of all their differences, and through that idea it addresses the problems that happen between couples in general.

Taxi driver Tadeo is about to encounter a busy shift. Throughout the day heterogeneous characters get into his taxi and the most varied situations arise. One of them leaves a baby in the taxi and Tadeo must find out where the little one belongs. He tackles this daunting task while keeping in the back of his mind that at the end of the day he has an appointment with a mysterious woman who apparently needs to tell him something very important.

Wax and his friends are the happiest kids in the city of Galilee. Living on the rooftops of this bustling metropolis, sometimes life can be tough, but they still churn out songs all day, and dance under the stars at night. But when Wax meets his dream girl, a billboard beauty named Starling, fate takes him on a wild ride through the high and low parts of the town he loves.

[For 9 minute surviving fragment] Lucian, a soldier in Paris, is to ship out for Algiers at 9 that evening. He stops by for a last meal with his love, Marianne. He may be worried that when he leaves she will find another soldier to love. They argue then embrace and, when the clock strikes midnight, he is still in her arms. Is desertion in the cards? Can the relationship survive the military demands and a soldier's obligations? A lost film.

In New York, a struggling actress and a successful writer sing about their failed marriage from two perspectives.

The story revolves around Tian Yu Quan (Chin Feng) who rushes to the aid of an elderly fisherman who is bullied by an arrogant relative of the Qiu Shan ministry. In the heat of the ensuing battle he kills the said man and is hence chased by the district's officials. Trying to use the waterway to shake off his enemies, Yu Quan finds a true friend in the old fisherman's bark-stearing daughter, Hu Feng Lian (Ting Hung) who becomes his loyal accomplice. As symbol for his gratitude, Yu Quan bestows Feng Lian with a Butterfly Chalice to reflect their eternal friendship bond...

The romance of a squire's daughter and a poor but refined scholar is thwarted when a loutish bandit is mistaken for the scholar by a confused servant and is given the idea that the daughter's hand in marriage is his for the asking. Rich in cross-dressing, mistaken identities, and reversals of gender roles, the film playfully subverts traditional Confucian values.

After committing a murder, Kay assumes a new identity and boards a ship. But, Kay is unaware that Sam, a skirt chasing detective, is following her and must outwit him to escape imprisonment.

The great fadista, Amelia Rodrigues, made her screen debut in Capas Negras, which took its name from the black capes worn by the students in the university city of Coimbra, where the film is set. The action begins in a tavern where a group of former students are reminiscing about their time at the university. One of the students, Jose Duarte then breaks into song, performing an impromptu fado in the local Coimbra style. The tavern owner's niece, the aptly named Maria Lisboa promptly retaliates with a fado of the Lisbon variety. The melodramatic plot then centers on the frustrated romance between these two characters, and the soundtrack is essentially a musical duel between these two different styles of Portugal's national song.

After years of hopeful struggle, waiter and aspiring singer-songwriter Al Stone is on his way. He gets his huge break on a magical night when his song wows big-time producer Louis Marcus and gold-digging showgirl Molly, whom Al fancies. Broadway success and marriage follow, but sure enough, hard times are on the way.

A captured performance by Parisian nude cabaret Crazy Horse, in a surreal show directed by French footwear designer Christian Louboutin. Louboutin calls Crazy Horse “an iconic monument of Paris, a monument to dance, a modern, dream- like idea of the celebration of women for women”.

Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.