A Primavera Há de Chegar

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

In a settlement in the northern mining country. The Marles, Bréhard and Gohelle families wake up and prepare for a new day at work. The young engineer Larzac, newly appointed to the mine, will soon oppose the authoritarian and conservative methods of his superior Dubard. Georges Gohelle would like to marry Marie Bréhard, but housing difficulties thwart their plans. Brezza, a Polish immigrant, who must return to his country, would like to hate his marriage to Louise Gohelle. Roger, Marie's little brother, has just turned 14. He does not want to go down to the mine as his elders have always done. He will however have to resign himself to it. Marles evokes for him the social struggles of 1906. Roger is injured during a landslide. In front of his family and his friend Marles, who had come to the hospital, he announced his decision to continue his profession. Larzac, invited to the Marles, reveals that he refused a quiet position at the Charbonnages de Paris. He too stays.

A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.

In this remake the Bertolucci's 1900, Olmo Dalco and Alfredo Berlingheiri's complicated friendship and struggles with the constantly changing political scope are chronicled as well as the rise of fascism and the communist revolution.

In Algeria in 1954, in a village in the Aurès region, poverty reigns over peasants enslaved by colonial administrators and Algerian landowners. Noua, in love with the son of a peasant dispossessed of his land, must be sold to a wealthy landowner.

In an insurrectionary climate, four twenty-year-old friends talk about politics. As a big protest looms, one of them, Clara, has to write a college essay. Caught in the virtual images and the comfort of her bedroom, going out is harder than expected.

Kirsty must survive an afternoon in the city centre until her accomodation can be arranged at a homeless shelter.

Shirish and Geeta, a middle class couple, have a car accident one night. Their differing reactions to the fallout from the accident open up fissures in their relationship and puts to test their values and beliefs.

1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

The young Amar, father of two children, lives on expedients and looks in vain for a job in Algiers. He decides to emigrate to France, and finds a job there, but quickly loses it after a roundup and custody for several days. Led by two shady Europeans he met in a café, he embarks with other unemployed people for well-paid work on the plantations of Madagascar. The boat that takes them finally docks in Algiers! This film had disappeared for almost fifty years. Ahmed Bedjaoui mourned it until the Berlin Cinematheque found the only copy of this work in its archives, restored it, subtitled it and screened it at the opening of its festival in 2015. The film was thrilled the large audience present, made up of professionals and knowledgeable film buffs. Due to the modesty of its self-produced means, but also by aesthetic choice, the film oscillates between neo-realist cinema and cinema vérité.

ARENA is a high-octane quiz show pulsating with an unrelenting rhythm of light and percussion. In the grand finale, two opposite worlds collide: The prestigious Private Saint Papillon French College, a generational winner, and Demirtaş Külhan Vocational High School, a newcomer fighting for existence. While the scores are tied, the conditions are not. The tension peaks with the final question. What is mere academic knowledge for one student is a harsh, lived reality for the other. As the final bell rings, the boards will reveal not just a winner, but the unbridgeable socioeconomic abyss that separates their lives.