Mother

Bespoke Dad is a 10min Family Drama produced by Prickle Production. From the outside, the family looks faultless, a caring, home-proud mother, a bright daughter with an even brighter future and a slightly distant but otherwise perfect Dad. In reality, the Dad isn’t the Dad; he’s an actor paid by the Mum. His job is to help raise her daughter, begin there to give fatherly advice and provide a traditional upbringing. He does this for multiple families, but a needy client puts his secret at risk.

Alicja suffers from memory loss and has rebuilt her own free spirited way of life. Two years later, she returns to her former family to assume against her will her role as wife, mother and daughter.

When Luisa, 45, returns from a psychiatric clinic after a bout with severe postpartum depression, she enters a new confinement in her dazzling home, surrounded by family members and a brigade of servants who expect her struggles to remain invisible. Unable to continue playing the role of the perfect housewife, Luisa's only escape is to waltz elegantly into madness.

A mother gives birth to an infant with Down Syndrome. The doctor advises that the child has multiple medical problems and advises that she "allow nature to take it's course". The child's crib is pushed into a closet because the hospital staff can no longer stand his screams as he is not being fed. One of the nurses smuggles him out of the hospital and has an intern come to do the minor but lifesaving corrective surgery on her kitchen table.

A woman discovers her unborn baby has a genetic predisposition to homosexuality, unwittingly exposing deep-seated prejudices within her family.

Son confesses to his mother, Ana, that he does not feel like a girl; he is a boy. Confused and blocked, Ana will decide to stop in order to observe and understand him and, in the same way, to understand herself. Ana and Son are two sides of the same coin: a mother who does not take care of herself, of her own identity, and a boy in search of his identity with all his strength.

A black comedy dealing with oedipal conflicts, burning hot pizza and disfigurement. A tracking camera reveals a sleeping man named Melvin. In a period-piece dream (of his own childhood?) we see a young mother with a baby carriage and an older, heavy-set man with a cigar. When the carriage rolls down a staircase toward the man, his bulk fortunately stops it and saves the baby. Later, they meet again at a pizza parlor, where hot cheese from the slice he orders inadvertently slides in slow motion onto the baby. The dreamer awakens with a start revealing a face marred by burn scars. Showing the traumatic memory from the pizza parlor

A mother, voiced by Emmy and Tony nominated Carrie Coon, sits in a rocking chair with her infant child late at night. As she rocks away, she attempts to soothe her baby with a lullaby of whatever words come to mind.

The cries of a baby drive a man going through a breakup into drug-fueled madness.

To escape her abusive husband, garbage collector Gal packs her two young children, Rihanna and Benin, onto the top of her cart and heads across São Paulo to her cousin’s house. As she struggles to avoid the dangers of the streets along the way, she convinces the children that they are on a big and exciting adventure. When they arrive at her cousin’s house, they are warmly welcomed and fed. However, what initially seems like a safe haven soon turns out to be a trap. Gal realises that not only her own safety is at risk, but also the future of her children.

n the Jam Jar is an invitation to the intimacy of 81-year-old Joan’s final days, whose musings silently echo with Dan’s, her 50-year-old son. This fiction short-movie is a dive into death and grief, a tribute to maternal love comprised of nail clippings, aquarelle, strawberry jam and a ghost radar.

Melody, 28 years old, a confused child born under the name X, decides to rent out her body in order to get the money she needs to realize her dream: opening a hair-dressing salon. To do so, she accepts to carry the child of Emily, a rich English woman 48 years old who can no longer have children. To make sure everything goes well and keep an eye on her future child, Emily decides to welcome Melody into her home and stay by her side throughout the pregnancy. Although they first appear to come from completely different worlds, the two women end up adopting each other: Melody finds in Emily the mother she never had, and Emily sees in Melody the daughter she always wanted to have. Evidently, the bonds that emerge during this double maternity create all sorts of doubts and questions.

Nina Stemme, Eva Marton, Victoria Cortez, Jorma Silvasti, and Par Lindskog star in this Gran Teatre del Liceu production of the Janacek opera conducted by Peter Schneider and directed by Olivier Tambosi.

Inspired by the fictional Dr. Heiter, disturbed loner Martin dreams of creating a 12-person centipede and sets out to realize his sick fantasy.